Amazon.co.uk Review
The job of reinventing the ballad would require more imagination and ingenuity than most acts would consider worthwhile. But then those are two attributes that experimental duo Tim Bowness and Steven Wilson--separately known as Darkroom and Porcupine Tree--have never been short of, and with their fourth long-player,
Returning Jesus under the No-Man moniker they take a valiant stab at remodelling the singer/songwriter's favourite fallback into lush soundscapes and ambient pop. Their method is simple: set a heartfelt lament to a backing of anything from dinner jazz, to atmospheric analogue noise and bleary-eyed country, veer off after a couple of verses into an abstract instrumental break before dropping the vocals in for one last verse. It's not an exact science and the formula works better on some tracks than others; the stirring cinematic strings and languid trumpets of "Only Rain" would have been better left as an instrumental, and "Outside the Machine" sounds like two gorgeously sensual, epic and seemingly unrelated pieces of music bolted uncomfortably together. Even so, when it works, as with the Bowie/Depeche Mode-esque "Close Your Eyes",
Returning Jesus is mesmerising. --
Dan Gennoe