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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Heartbeat - Woolford, Paul | |||
| 2. Forever A Stranger - Van Wey, Brock | |||
| 3. Gravity - Lusine | |||
| 4. Hands Of Love (Fingers Of Sand) - Rocha | |||
| 5. Counter Clock - Wink, Josh | |||
| 6. Trills - Boratto, Gui | |||
| 7. Tunnel Vision - I:Cube | |||
| 8. Armour - Wireman | |||
| 9. Who To Call C/Forever A Stranger - Missing Linkx/Brock Van Wey | |||
| 10. Jazzer, The - Adryan | |||
See all 21 tracks on this disc
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| Disc: 2 | |||
| 1. Salinas - Woolford, Paul | |||
| 2. Shore, The - Geist, Morgan & Jeremy Greenspan | |||
| 3. Shore, The - Geist, Morgan & Jeremy Greenspan | |||
| 4. Like This - Stefanik, Daniel | |||
| 5. Forever A Stranger - Van Wey, Brock | |||
| 6. Karasu - Quarion | |||
| 7. Subzero - Klock, Ben | |||
| 8. Surkit - Reel By Reel | |||
| 9. OAR003-B - Oni Ayhun | |||
| 10. Watusii - Tidwell, Cortney | |||
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See all 20 tracks on this disc
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Customer Reviews
Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Audio CD
Paul Woolford just downright blew me away with his Bobby Peru debut album. It was to the point, it was clean and tight, it was heavy, and it had an old school techno vibe as well. His "We Love Sundays" mix was exactly what I assumed he would sound like as a DJ, fantastic. This mix is a bit more experimental: not quite as tight, and not as heavy or housey as I would like. Surgery One is interesting, but gets a bit noodley at points and just lost me a couple of times. Surgery Two is a bit more to the point and starts off great with the Morgan Geist remixes. It goes more towards minimal techno than house from there, but still has a good driving sound with a few quintessential Paul Woolford moments. It's good, but it didn't inspire me to dance.
I'm still waiting for a Renaissance mix to just knock me to the floor with it's excellence. They're just not doing what they did 6-8 years ago, but I understand it's hard to find something that hits hard and is still a bit underground these days... Maybe I'm just getting old... But one thing I'm sure of is this: I'm flat out sick of the cheap, crappy, cardboard fold cases they've been putting out for the last few years (the amazing packaging of the old albums was one of they're strong points, and also the melodious sound).
I'm still waiting for a Renaissance mix to just knock me to the floor with it's excellence. They're just not doing what they did 6-8 years ago, but I understand it's hard to find something that hits hard and is still a bit underground these days... Maybe I'm just getting old... But one thing I'm sure of is this: I'm flat out sick of the cheap, crappy, cardboard fold cases they've been putting out for the last few years (the amazing packaging of the old albums was one of they're strong points, and also the melodious sound).
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
2 reviews
1 of 1 people found the following review helpful
DEEP, DRIVING, TECH-HOUSE!!!
29 July 2010
Format:Audio CD
Paul Woolford's sophomore addition to the `Platform' series sees the acclaimed producer dropping two back-to-back techno/tech-house blinders.
`Surgery One' is the more laid back and readily accessible of the two. Beginning with a gently pulsing heartbeat, reminiscent of Pink Floyd's `Dark Side of the Moon', the mix gently builds from the cleverly coupled `Forever a Stranger' and the gorgeous Lusine track, `Gravity', before taking the chilled beats up a few notches with the housey, old-skool beats of Missing Linxx `Who to Call.' Woolford ends the disc with `Let it Go', under his Bobby Peru moniker.
`Surgery Two' begins on a somewhat subdued note as well with 2 Woolford mixes of Morgan Geist's `The Shore.' Absolutely sublime. Daniel Stefanik's `Like This' drops a thumping kick drum and a rolling bass line, indicative of what's to come for the remainder of the mix. From here, the mix augments the beats and the tension effortlessly, as Woolford weaves in and out of track sections and samples, giving the entire 2 disc set a driving, yet cohesive balance. Oni Ayhun's 'OAR003-B' serves as `Surgery Twos' blissed out fulcrum and the staging area for the end of the mix. Woolford delves deep into the vaults for the album closer, Suburban knight's 1990 techno track, `The Art of Stalking' - sheer perfection. If techno can be gorgeous, this is what it sounds like.
Admittedly, `Surgery Two' took a few repeated listens before it grew on me. But `Surgery One' is where it's at for my tastes, lending itself perfectly to home listening on a Friday night at home with friends. Renaissance delivers again!
`Surgery One' is the more laid back and readily accessible of the two. Beginning with a gently pulsing heartbeat, reminiscent of Pink Floyd's `Dark Side of the Moon', the mix gently builds from the cleverly coupled `Forever a Stranger' and the gorgeous Lusine track, `Gravity', before taking the chilled beats up a few notches with the housey, old-skool beats of Missing Linxx `Who to Call.' Woolford ends the disc with `Let it Go', under his Bobby Peru moniker.
`Surgery Two' begins on a somewhat subdued note as well with 2 Woolford mixes of Morgan Geist's `The Shore.' Absolutely sublime. Daniel Stefanik's `Like This' drops a thumping kick drum and a rolling bass line, indicative of what's to come for the remainder of the mix. From here, the mix augments the beats and the tension effortlessly, as Woolford weaves in and out of track sections and samples, giving the entire 2 disc set a driving, yet cohesive balance. Oni Ayhun's 'OAR003-B' serves as `Surgery Twos' blissed out fulcrum and the staging area for the end of the mix. Woolford delves deep into the vaults for the album closer, Suburban knight's 1990 techno track, `The Art of Stalking' - sheer perfection. If techno can be gorgeous, this is what it sounds like.
Admittedly, `Surgery Two' took a few repeated listens before it grew on me. But `Surgery One' is where it's at for my tastes, lending itself perfectly to home listening on a Friday night at home with friends. Renaissance delivers again!
DEEP, DRIVING, TECH-HOUSE!!!
4 May 2010
Format:Audio CD|Amazon Verified Purchase
Paul Woolford's sophomore addition to the `Platform' series sees the acclaimed producer dropping two back-to-back techno/tech-house blinders.
`Surgery One' is the more laid back and readily accessible of the two. Beginning with a gently pulsing heartbeat, reminiscent of Pink Floyd's `Dark Side of the Moon', the mix gently builds from the cleverly coupled `Forever a Stranger' and the gorgeous Lusine track, `Gravity', before taking the chilled beats up a few notches with the housey, old-skool beats of Missing Linxx `Who to Call.' Woolford ends the disc with `Let it Go', under his Bobby Peru moniker.
`Surgery Two' begins on a somewhat subdued note as well with 2 Woolford mixes of Morgan Geist's `The Shore.' Absolutely sublime. Daniel Stefanik's `Like This' drops a thumping kick drum and a rolling bass line, indicative of what's to come for the remainder of the mix. From here, the mix augments the beats and the tension effortlessly, as Woolford weaves in and out of track sections and samples, giving the entire 2 disc set a driving, yet cohesive balance. Oni Ayhun's 'OAR003-B' serves as `Surgery Twos' blissed out fulcrum and the staging area for the end of the mix. Woolford delves deep into the vaults for the album closer, Suburban knight's 1990 techno track, `The Art of Stalking' - sheer perfection. If techno can be gorgeous, this is what it sounds like.
Admittedly, `Surgery Two' took a few repeated listens before it grew on me. But `Surgery One' is where it's at for my tastes, lending itself perfectly to home listening on a Friday night at home with friends. Renaissance delivers again!
`Surgery One' is the more laid back and readily accessible of the two. Beginning with a gently pulsing heartbeat, reminiscent of Pink Floyd's `Dark Side of the Moon', the mix gently builds from the cleverly coupled `Forever a Stranger' and the gorgeous Lusine track, `Gravity', before taking the chilled beats up a few notches with the housey, old-skool beats of Missing Linxx `Who to Call.' Woolford ends the disc with `Let it Go', under his Bobby Peru moniker.
`Surgery Two' begins on a somewhat subdued note as well with 2 Woolford mixes of Morgan Geist's `The Shore.' Absolutely sublime. Daniel Stefanik's `Like This' drops a thumping kick drum and a rolling bass line, indicative of what's to come for the remainder of the mix. From here, the mix augments the beats and the tension effortlessly, as Woolford weaves in and out of track sections and samples, giving the entire 2 disc set a driving, yet cohesive balance. Oni Ayhun's 'OAR003-B' serves as `Surgery Twos' blissed out fulcrum and the staging area for the end of the mix. Woolford delves deep into the vaults for the album closer, Suburban knight's 1990 techno track, `The Art of Stalking' - sheer perfection. If techno can be gorgeous, this is what it sounds like.
Admittedly, `Surgery Two' took a few repeated listens before it grew on me. But `Surgery One' is where it's at for my tastes, lending itself perfectly to home listening on a Friday night at home with friends. Renaissance delivers again!
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