- Audio CD (9 July 2007)
- Number of Discs: 1
- Label: Renaissance
- ASIN: B00005ATHD
- Other Editions: Audio CD
- Average Customer Review: 4.4 out of 5 stars See all reviews (8 customer reviews)
- Amazon Bestsellers Rank: 32,801 in Music (See Top 100 in Music)
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For instance, disc one plunges right in with Ashley Beadle's funked-up mix of A Guy Called Gerald's mesmerising "Humanity" then mashes up a rapid-fire selection of 10 other tracks that would work any progressive house/trance dance floor with the minimum of effort. These include Francois K's sun-kissed twist on Finley Quaye's "Spiritualised", Solid Sessions' "Janiero" and Tom Middleton's experimental disco treatment of Schiller's "Ruhe". All lend light and shade to his anything-goes progressive blueprint. Much to his credit, Seaman avoids the predictable clichés of build-up and release, relying instead on a fluid, evolving sound. Disc Two offers a somewhat "lost in music" cast, with bass-laden synth tones propelling several of the tracks forward. Elisium (Sasha & Quivver)'s hypnotic "Part One" sparkles beside Blackwatch's excellent "Foreshadow", and Seaman's love for melodic, ethereal tunes is epitomised by the likes of Jimmy Van M's hands-in-the-air cut, "Love Like Sleep". Blended together by a consummate professional, Desire is far beyond the reach of watered-down clones. --Reuben Dessay
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This album sounded a bit run of the mill at first, but after several serious listening sessions, it has really grown on me. A normal rotm album just gets boring, but this one reveals more and more details on each listening session. I haven't tried listening to it with headsets yet, but that's probably a good idea.
Seaman seems to really have made an excellent combination of the normal housey female voice tracks and the stuff that's a bit more electronic. The voices are not overwhelming, as they tend to be on some of Oakenfold's albums, but really nicely spread out. Like "Breathe". And, including speedy classics like "Travelogue - Loafer" that was also on Maas' "Connected" makes it a very varied compilation.
All beat mixes seem to be pretty well put together and not just the normal party 10 sec overlaps. He seems to have planned everything ahead, and so I assume that this is a studio recording. That's not a negative point, though. He seems to do this pretty nicely on his other albums too.
I keep this album on repeat in my car just for good sake and happy driving. In my opinion, this is the best Seaman album yet. It has made me pull out all the good, old Seaman Global Underground albums from the drawer, just to see check up if they were just as good. Keep it up, Dave! :-)
The BPM is around the same the whole time, and it drags on a... Read more
I was a bit unsure about CD1. Read more
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