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Reef is not just a story, however, as fascinating as that may be. It is a delicate allegory of the small changes which can bring cataclysmic results to a society, just as the coral reef which Ranjan Salgado studies is "very delicate. It has survived aeons, but even a small change in the immediate environment...could kill it." With the gap between the educated and the "underclass" in Sri Lanka very wide, and portentous changes occurring to the country politically, the reader is constantly reminded that, like the reef, "if the structure is destroyed...then the whole thing will go." As Salgado's love for Nili makes him more and more self-centered and less altruistic, and as political movements inspired by other countries become more aggressive, the "small changes in the immediate environment" begin for Triton.
In prose that shimmers with the light of the tropics and the scent of flowers, the reader is absorbed into the Sri Lankan jungle and sea, watching as the outside world propels along the small changes which may devour everything--the jungle, the sea, and the cultural fabric of which they have all been part for eons. As as one reads this remarkable novel, one joins with Triton and Salgado in yearning for peace, the "twilight when the forces of darkness and the forces of light are evenly matched and in balance [and] there is nothing to fear. No demons, no troubles, no carrion. An elephant swaying to a music of its own." Mary Whipple
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