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Redlaw: Red Eye [Paperback]

James Lovegrove
3.7 out of 5 stars  See all reviews (3 customer reviews)
RRP: £7.99
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Book Description

11 Oct 2012 Redlaw
The Eastern Seaboard of the USA is experiencing the worst winter weather in living memory, and John Redlaw is in the cold white thick of it. He's come to America to investigate a series of vicious attacks on vampire immigrants targeted kills that can't simply be the work of amateur vigilantes. Dogging his footsteps is Tina 'Tick' Checkley, a wannabe TV journalist with an eye on the big time. The conspiracy Redlaw uncovers could give Tina the career break she s been looking for. It could also spell death for Redlaw.

Frequently Bought Together

Redlaw: Red Eye + Age of Aztec (Pantheon) + Age of Zeus
Price For All Three: £19.17

Buy the selected items together
  • Age of Aztec (Pantheon) £5.99
  • Age of Zeus £5.99


Product details

  • Paperback: 416 pages
  • Publisher: Solaris (11 Oct 2012)
  • Language: English
  • ISBN-10: 1781080488
  • ISBN-13: 978-1781080481
  • Product Dimensions: 12.8 x 2 x 19.8 cm
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 1,016,790 in Books (See Top 100 in Books)

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Most Helpful Customer Reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars Politics & Vampires 11 Mar 2012
Format:Paperback
When it comes to a horror staple like vampires, there is so much existing fiction that anything new needs to offer some sort of unique hook, or it won't hold my attention. Redlaw by James Lovegrove goes the political route and makes vampires an immigration issue.

Over subsequent decades everyone's favourite blood-suckers have migrated from mainland Europe to Great Britain. Throughout the country, various segregated communities have been set up to try and contain their rising numbers, but as the novel begins things have finally reached a tipping point. The general public are starting to voice their displeasure at the growing number of undead that live right on their doorstep.

The situation is far from perfect, and it is up to the men and women who work for SHADE (I do love a good acronym) to protect humans from vampires and vice-versa. The `shadies' spend their nights trying to keep the peace. They are drawn from different religions and this gives the author an opportunity to include some social commentary regarding how the different shadies view their role. For some it is a just a job, for others a calling.

The heart of the novel is the character of John Redlaw himself. His stoic demeanor and tough as nails attitude are a sight to behold. Driven by the need to do the right thing, Redlaw may come across as harsh but is ultimately always fair. He is a man of faith and this is what drives him to always try and do right. As far as vampire community is concerned he is the law. I have to admit that Redlaw does remind me a little of another well-known lawman who was known for his granite like exterior. Anyone who has ever read 2000AD will see similarities between Redlaw and Joe Dredd, both exist to deliver their own unique brand of justice. I think it is fair to say that Clint Langley's striking cover art does little to dispel this this feeling.

It would be wrong, however, to think of Redlaw as simply a clone of Judge Dredd though. For me Dredd has always been a little two-dimensional, Redlaw is far more than that. The continuing persecution of the vampires plays a pivotal role in Redlaw's character development. Through the course of the novel, he suffers a crisis of faith and is severely tested by the situations he finds himself in. I'm not religious but even I can appreciate that the trials he faces would push any one to the limit.

I'm a big fan of James Lovegrove's existing body of work. The ongoing Pantheon series in particular is a firm favourite. James Lovegrove has shown with those novels that he has the rare gift of being able to successfully reinvent mythologies and ancient cultures in a modern and thought provoking way. He has managed the self same feat with Redlaw. He has taken the legends and folklore of vampires, that your average horror fan is already familiar with, and tweaked them to fit snuggly in the confines of a fast paced political thriller. This novel features vampires that are still nightmarish creatures to be feared, due to their endless bloodlust, but Lovegrove has also managed to cast them in a sympathetic light.
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2 of 2 people found the following review helpful
By Gareth Wilson - Falcata Times Blog TOP 500 REVIEWER VINE™ VOICE
Format:Mass Market Paperback
If you love an Urban Fantasy story that is gripping, has vampires and shows the dark seedy underbelly of double dealing, murder alongside profiteering through manipulation from a man who holds the cards then you really have to read this book by James Lovegrove. It has a great lead character whose no nonsense, by the book honourable attitude is tested to the limits as he lives his life by an iron code where everything is black and white, finds his beliefs as well as limits tested to the max both spiritually as well as physically.

Add to this some marvellous sleight of hand twists, some cracking prose and of course a typical Lovegrove tale that is unlike anything else that's gone before. All in, this is definitely a title to savour and one that is worth persevering through the first few chapters so that you get the full blooded feel of this new all too easy to imagine world of a London that many could see coming to pass. Great stuff.
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0 of 1 people found the following review helpful
3.0 out of 5 stars Good idea poorly realised 16 Nov 2011
By PJ Rankine TOP 500 REVIEWER VINE™ VOICE
Format:Kindle Edition|Amazon Verified Purchase
This is the first James Lovegrove book I have read and I was interested to note that he has written a lot of young fiction as well as it appears that some of his prose has leaked from one format to another. For heaven's sake, what adult uses the expression 'bum sex'? I don't know anyone over the age of twelve who would. Also irritating was the vampire character who learned her Engish from an English aristocrat and so had to speak like a refugee from a Berty Wooster tale. Even the characters acknowledged it was irritating within the text of the story so why not leave it out?
I liked the idea of the story but it read like it was written in the hope of being picked up for a movie script and would have flowed better as an alternative reality rather than trying to dovetail it into this one.
At least the author doesn't appear to intend to write a sequel.
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