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Red

18 Feb. 2014 | Format: MP3

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Song Title
Time
Popularity Prime  
30
1
4:55
30
2
3:43
30
3
4:02
30
4
3:39
30
5
5:29
30
6
3:52
30
7
4:04
30
8
3:13
30
9
3:25
30
10
4:59
30
11
3:23
30
12
4:44
30
13
4:00
30
14
4:05
30
15
3:40
30
16
3:59
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Product details

  • Original Release Date: 1 Jan. 2012
  • Release Date: 18 Feb. 2014
  • Label: Universal Music Group International
  • Copyright: (C) 2012 Big Machine Records, LLC.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:05:12
  • Genres:
  • ASIN: B009TS5AWC
  • Average Customer Review: 4.6 out of 5 stars 497 customer reviews
  • Amazon Bestsellers Rank: 1,462 in Albums (See Top 100 in Albums)

Customer Reviews

Top Customer Reviews

Format: Audio CD
This is one of the best new albums I've heard in years.

I've always liked the odd song by Taylor Swift. She's an excellent songwriter who really knows how to tell a story and how to portray her emotions to the listener. Her work is strikingly honest, and it is made all the more interesting by her clearly deeply passionate nature.

Despite this, I have in the past only usually listened to two or three songs on her albums as I have found the rest a little bit, shall we say, "Disney Teen."

That is absolutely not the case with this album. It maintains her special, confessional songwriting style, but with a new-found maturity. She experiments, extremely successfully, with a number of new styles, yet the album is strangely even more cohesive for it.

The melodies and hooks are her best ever, and her emotional insight is even more perceptive and eloquently expressed than in the best of her previous works.

Most importantly, nearly every song has that special, indefinable quality that makes a song great - that perfect blend of lyric, melody, and performance that makes the listener soar, for an instant, into another realm.

For me, the stand out tracks are All Too Well, Red and, my favorite, I Almost Do. Stay, Stay, Stay is probably my least favorite at the moment but that may change with repeat listening.

All in all, it is a fabulous and exciting album, and listening to it has rekindled in me an excitement in music that hasn't burned brightly in years.
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Format: Audio CD
I've been eagerly anticipating this album ever since Taylor dropped the amazing Speak Now. When talking about this album Taylor described it as a collaborative effort unlike Speak Now which was very internal (she wrote every song alone without co-writers and co-produced every song). She worked with a lot of new people on this album including Max Martin (pops biggest producer who's worked with many huge pop stars such as Britney Spears and Ke$ha), Butch Walker (a rock singer but he's produced for pop artists such as Avril Lavigne (My Happy Ending) and Katy Perry (Thinking Of You)) not to mention collaborating with newcomer Ed Sheeran and Snow Patrol's Gary Lightbody. Despite this she wrote 9 songs alone.

Anyway getting back to the point this album see's Taylor experiment with a lot of new sound from the Dubstep influence I Knew You Were Trouble to the U2 inspired State Of Grace. This was a risky move but it paid off. The catchy bubblegum tracks like the hit single We Are Never Ever Getting Back Together and 22 are completely irresistible. State Of Grace is an incredible track and a perfect opener. Despite what the lead single may have you believe a lot of these songs are quite slow such as the introspective Treacherous, the incredible All Too Well which produced some of the best lyrics she's ever wrote and several more. There are some more pop songs on the album such as Red and Starlight which are 2 of the albums strongest tracks. Red is a guitar based pop song using colours as a metaphor for emotion and Starlight is an incredible synth based pop songs which is infectious but it still has great lyrics telling of an adventure she had with a boy aged 17. It's like Enchanted funner sister. Both the collaborations are very good.
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Format: Audio CD Verified Purchase
Having recently discovered Taylor's music with 1989 I decided to investigate her back catalogue. Having heard that she had been a Country and Western singer who had gone mainstream, I wasn't sure I would like her earlier music, but listened to the short extracts and decided to give Red a try - I'm glad I did.

This is not a Country and Western album. There are elements of C&W in some of the songs (e.g. steel guitar) but it is at most crossover. Strangely enough, despite my not being a fan of Country and Western, my list of highlights includes some of the more country songs.

The album starts well with State Of Grace, a rocky song that I consider to be a highlight. This is followed by the title track, another rocky song and another highlight - although I should point out that the backing vocals on Red are the main appeal for this listener. One listen to that song and those backing vocals are stuck in my head!

Things go a little more country after this, but that isn't a bad thing. Stay Stay Stay is one of the most country songs on the album and is another highlight. This is followed by The Last Time. This song starts with a dreamy ethereal feel before becoming rocky. Holy Ground is another C&W influenced song that is, for this listener, a highlight (I'm going to have to stop denying that I like C&W!). Sad Beautiful Tragic is a beautiful soft song and another highlight.

The final highlight is Starlight, another rocky song.

All the other songs count as good with only one minor criticism. At times during The Lucky One I thought that Taylor's voice seemed a little strained.

Seven highlights out of sixteen songs makes for a five-star review and a recommendation.
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By Benson VINE VOICE on 22 Oct. 2012
Format: Audio CD
I was actually blown away by how good this fourth album from Taylor Swift is. I can quite easily listen to it from start to finish without track skipping and that is rather a rare occurrence for me. It fluctuates from toe tapping, head bobbingly catchy to delightfully peaceful and thought provoking to at other times, completely danceable.

Musically, there is a logical growth from `Speak Now'. On that third album Taylor started to play with a more pop influenced sound. `Red' goes in that direction a little bit more without wandering completely away from those country tinged acoustic numbers we like to hear. However, instrumentally I hear a lot more rock and pop influence than previous albums. At times the production rather reminded me of Avril Lavigne back in the days she was churning out acoustic guitar lead pop rock anthems.

Max Martin is involved on a few tracks this time around (perhaps most famously known for being the guy behind a whole host of Britney hits including `Baby One More Time') and he makes a rather great team with Taylor and `Shellback', evident in the already massive single `We Are Never Ever Getting Back Together' and the equally as infectious `I Knew You Were Trouble' and '22'. Other than that the majority of the tracks (as previous albums) are credited to Taylor Swift as a singular songwriter.

If catchy is what you like that continues in the ridiculously cute `Stay Stay Stay', one of those songs along the lines of `Mean' you can't help but hum. I'm sure Ed Sheeran will be a talking point of this album and as it goes he is a rather great choice of collaboration.
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