- Discover more great music in our Proper Music store, and read about the very best of Proper Music's latest and forthcoming releases in Properganda Issue 19 (online flash version).
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Because the real magic of Bob Dylan's music is that it is so malleable. Every important song he wrote has more than one meaning, more than one interpretation, and his body of work has been a gold mine for intellectual musicians looking for a strong voice to adopt.
Mercifully, Tim O'Brien avoided the best-known Dylan tunes like Blowin' in the Wind or Mr. Tambourine Man. This isn't just a greatest hits retrospective; it's a cohesive artistic statement, like Blood on the Tracks or John Wesley Harding. One could imagine Dylan himself running Tombstone Blues up against Farewell Angelina, mustering little-known pieces like Oxford Town to keep the listener's attention through the middle portion, and crowning the sequence with Forever Young and Lay Down Your Weary Tune.
Yet for this artistic integrity and loftiness, it's still an album you can listen to more than once. The bouncy upbeat tunes on most of the tracks carry you along easily, and even when the pace slows on songs like Wicked Messenger or Masters of War, the flawless ensemble playing and clear vocals make you want to continue listening.
This piece is a worthy addition to the body of work of Tim O'Brien, but it's also a wonderful statement for Bob Dylan. And it's a highly pleasing, satisfying addition to the CD collection of any fan of either artist.
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