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The film? Red Beard belongs in the short-list of Kurosawa masterpieces alongside Seven Samurai, Rashomon, Throne of Blood and Ikiru. In many ways it is the crowning achievement of one of the most fruitful director-star partnerships in cinema history. The great Toshiro Mifune plays the eponymous hero: a humanitarian doctor managing a clinic committed to the treatment of the poor. His charge becomes the education of a freshly graduated doctor, initially drawn to the wealthy, in whom he instils an understanding of the limits of medical knowledge and the importance of compassion. Thus it is another Kurosawa film about a master and pupil, this time with Death itself as the adversary against which the heroes battle. Astonishing attention to detail, – the period setting is fastidiously recreated – first-rate performances, and a director working at the peak of his powers. Strange to think that the breaking of the partnership would usher in a long period of doubt and artistic uncertainty for the master.
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