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The Recognitions
 
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The Recognitions [Paperback]

William Gaddis
4.6 out of 5 stars  See all reviews (12 customer reviews)

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Product details

  • Paperback: 956 pages
  • Publisher: Atlantic Books; New edition edition (13 Nov 2003)
  • Language English
  • ISBN-10: 1843541661
  • ISBN-13: 978-1843541660
  • Product Dimensions: 23.2 x 15.6 x 5.4 cm
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (12 customer reviews)
  • Amazon Bestsellers Rank: 429,103 in Books (See Top 100 in Books)

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Product Description

Product Description

Wyatt Gwyon's desire to forge is not driven by larceny but from love. Exactingly faithful to the spirit and letter of the Flemish masters, he produces uncannily accurate 'originals' - pictures the painters themselves might have envied. In an age of counterfeit emotion and taste, the real and fake have become indistinguishable; yet Gwyon's forgeries reflect a truth that others cannot touch - cannot even recognize. Contemporary life collapses the distinction between the 'real' and the 'virtual' world, and Gaddis' novel pre-empts our common obsessions by almost half a century. This novel tackles the blurring of perceptual boundaries, The Matrix and Bladerunner pale in comparison to this epic novel.

About the Author

WILLIAM GADDIS (1922-98) was one of the greatest writers in twentieth-century America. He wrote five novels and won two National Book Awards, for JR (1976) and for A Frolic of His Own (1995). His other landmark novels include: The Recognitions (1955) and Carpenter's Gothic (1985). Agapc Agape was published by Atlantic in 2002.

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Customer Reviews

12 Reviews
5 star:
 (10)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:
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Average Customer Review
4.6 out of 5 stars (12 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

9 of 9 people found the following review helpful:
5.0 out of 5 stars One of the most glorious American novels of the 20th century, 1 Jan 1997
By A Customer
The Recognitions is an amazing work of literature, as funny as it is moving and as confounding as it is entertaining. Gaddis work is often compared to Thomas Pynchon, perhaps because of his tendency to mix absurd character names and slapstick comedy amidst serious situations. But whereas Pynchon's work is mostly plot driven, with characters simply providing the outlet for the author's ideas, Gaddis is brilliant at creating realistic characters whose words and ideas mainatin the momentum of the work. In almost every passage of The Recognitions, there is some glorious pay off, some action or statement that you'll read again and again so as not to forget it, only to move on to the next passage and be more throroughly moved. Easily the most rewarding reading experience I have had in years.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars The definitive work on deception is definitive 30-yrs later, 8 May 1999
By A Customer
Gaddis' masterpiece has been regarded as "impenetrable" since its late 50s publication. Time to revisit it nearly 40-years later. One of it's dozens of themes is a New York art forger who turns out perfect, bogus, "newly discovered" Van Eycks in his loft. The forgeries pass the most intense scrutiny by art- and Van Eyck scholars and are sold for vast sums. The forger and his dealer gradually realize the single flaw: No 20th century person can recreate a 17th century perception.

Similarly, no intelligent 1999 reader will recreate the wrong-headed obtuseness of 1950s reviewers. Beside being a masterpiece, Gawd, it's a hilarious skewering of pretentiousness.

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7 of 8 people found the following review helpful:
4.0 out of 5 stars It's good, 17 Aug 1999
By A Customer
This is an incredible novel for a thirty-year old; the problem is that Gaddis, as a first-timer, tries too hard in spots. The characters are too articulately inarticulate, the mythological references too ostentatiously used, and the mood is sometimes lost when the prose is piled on it. However, it has the subtlest humor and the harshest satire of any American book. Many passages are perfectly pitched, (the scene with Wyatt's breakdown is funny!), and the characters are a bunch of lost souls desperately seeking...something.
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