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Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane
 
 
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Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane [Hardcover]

Fried


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Product details

  • Hardcover: 240 pages
  • Publisher: University of Chicago Press (1 Mar 1987)
  • Language English
  • ISBN-10: 0226262103
  • ISBN-13: 978-0226262109
  • Product Dimensions: 24.4 x 18.8 x 2 cm

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Michael Fried
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Product Description

Product Description

"A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America."--Svetlana Alpers, University of California, Berkeley
"An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies."--Sacvan Bercovitch, Harvard University
--This text refers to the Paperback edition.

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First Sentence
When Thomas Eakins in March or early April 1875 began work on The Gross Clinic he was thirty years old and had reached a stage in his early career when for the first time he was prepared to attempt a painting of major artistic and intellectual scope (Fig. I, Pl. I). Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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