The legend of Tupac Shakur has only grown since his death, not least due to how suprisingly prolific he is from beyond the grave. With the West Coast practically ruling gangsta rap in the early nineties, it says something for Biggie Smalls a.k.a. Notorious BIG that he almost single-handedly shifted attention back onto the East Coast in 1994, and that with only two proper albums his legacy measures up to Tupac's. Indeed, many still consider him to be the greatest to ever pick up the mic, and this album is the majority of the reasoning behind that stance.
Ready To Die, rather than a conventional gangsta album, is a conceptual album about the rise and fall of a hustler and gangsta, played, of course, by Notorious BIG himself. It's gritty, it's dark, it's defiantly hardcore and most definitely not for everybody. Infused with an almost casual misogyny and violence and a blackhearted sense of humour, Biggie doesn't meet the audience halfway and it results in an album that few have equalled and even fewer have bettered.
The album is split between two camps - the poppier side, helmed but mercifully not smothered by Puff Daddy (who's corrupting touch would detract from the follow up album), is covered by the likes of 'Big Poppa' or big single 'Juicy.' They are all fine songs, 'Juicy' in particular a sweaty anthem but one depicting a bleak childhood where 'birthdays were the worst days' and 'Christmas missed us.' As a rags-to-riches tale, it's far more compelling than say, Jay-Z's.
The other, even better side of the album is the gangsta drama side. With only one guest MC on the album - Method Man, making an amusing, oddly adorable turn on 'The What' - it's down to Biggie himself to cover all the players in his rap opera, and he does so with gusto. 'Me And My B***h' tells the tale of a woman caught in the crossfire of his hustling career; opener 'Things Done Changed' is a blackly comic account of how being young and black the only way out of the slums is 'slinging crack rock' or having 'a wicked jump shot.' Best of all is the remarkable 'Gimme The Loot,' in which Biggie plays two different characters, one fresh out of jail as they start a new crime spree. It's wicked, it's funny and it's Biggie at his best.
The follow up album, Life After Death, portentous title and all, was a grander statement, overblown and almost as good. But his real masterpiece remains Ready To Die. don't remember him for mediocre posthumous duets with Nelly and Ja Rule and Ashanti. Remember him this way.
(P.S. The DVD, featuring a rubbish live video and all the album's promos, is a take-or-leave situation with little bearing on the purchase. The bonus tracks, however, are well worth having.)