Razorblade Suitcase was a very important album for Bush. Their first album, the superb "Sixteen Stone" was released to massive commercial success, and a mauling from the critcs who dubbed the band "Nirvana Lite". As such, you would have thought Bush would try to distance themselves from Nirvana for the all-important sophomore effort. This makes their decision to hire producer Steve Albini, the man at the helm or Nirvana's final album, all the more confusing. You can almost see the thought process - hiring indie legend Albini should add an underground credibility to the album, but in retrospect hiring a man most famous for Nirvana's final album was not a good idea. It didn't help them lose the Nirvana rip-off tag, and like In Utero, this is not an easy listen. As such, this album had a similar effect to In Utero - it alienated a large portion of the band's fan base. This album had decent sales, but nowhere near the amount of it's predecessor. The reason for this was simple - where Sixteen Stone had a load of hits, this album had two. Only two songs, albeit two excellent songs, "Swallowed" and "Greedy Fly", were ever going to make a dent on the charts, nothing else on the album is immediate as "Everything Zen", "Little Things", "Comedown" or "Machinehead", and there's no huge ballad on this album akin to "Glycerine" from the last one ("Bonedriven" tries, but doesn't really cut it). That's not to say the rest of the album is bad, it isn't, but very little of it is particularly memorable. This is a good album, and one most Bush fans will want to own, but it isn't going to convert many people who aren't already Bush fans. Worth getting for "Swallowed", "Greedy Fly" and a number of solid album tracks.