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The Raven That Refused to Sing (And Other Stories)
 
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The Raven That Refused to Sing (And Other Stories)

24 Feb. 2013 | Format: MP3

£4.99 (VAT included if applicable)
Buy the CD album for £9.99 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
1
12:10
30
2
7:37
30
3
10:13
30
4
5:03
30
5
11:42
30
6
7:57
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Product details

  • Original Release Date: 24 Feb. 2013
  • Release Date: 24 Feb. 2013
  • Label: Kscope
  • Copyright: Steven Wilson
  • Total Length: 54:42
  • Genres:
  • ASIN: B00BCCXRF0
  • Average Customer Review: 4.7 out of 5 stars 146 customer reviews
  • Amazon Bestsellers Rank: 512 in Albums (See Top 100 in Albums)

Customer Reviews

Top Customer Reviews

Format: Audio CD Verified Purchase
Outstanding!
For the first time in ages I have just been transported back, reminded of a day long ago and far away of a certain younger man. Having eagerly run most of the way home with his newly discovered gate-fold vinyl album tucked under his arm and finally getting down to listen to some new sounds, waiting to be amazed.
Back then there was always something new to be amazed at.
These days - not so much.

This album is without a doubt the most authentic prog rock album to date by any artist who wasn't actually around in the 70`s. I use the much maligned term prog rock, though it's not a description I like. Sadly it's the only one we have for music as diverse, melodic, complex and compositionally interesting as this.

From the opening moments of `Luminol` and through its 12:10 minutes of intricate tempo changes and mostly instrumental interplay to the last blissful moments of `The Raven that Refused to Sing`, I was held spellbound in my armchair - not wanting this album to end. I couldn't believe 58 minutes had passed.

Sure there are musical references to many bands who were around in the seventies - King Crimson, Yes, Genesis, Camel, Jethro Tull, Pink Floyd to name but a few.

WHO CARES when it's this good?

Also, if you have followed Steven and Porcupine Tree you know what they are about. The references are meant to be there. For goodness sakes, ALL musicians `borrow` from other musicians whether you listen to classical, pop or rock. It's what you do with it that makes the magic happen.

Steven Wilson has achieved what no other modern musician has been able to do, in my opinion.
He has taken prog rock and made it new again. (Now, if we could only give it a new name) !
Read more ›
1 Comment 67 of 69 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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By C. Porter VINE VOICE on 5 May 2013
Format: Audio CD
It's fascinating watching the backlash from certain reviewers about SW. Most of it seems aimed at being annoyed that he doesn't like people ripping off his music or filming his shows. What can you say about that?

He doesn't like being stolen from, and he doesn't like unapproved versions of his performances (captured on smartphones) being the things that hit YouTube. Sounds to me like an artist trying to retain control of his career. It might be foolish, or not, but not worthy of the vitriol here.

And this should be about the product. SW has regularly tried to produce what I would call 'premium' product - a physical experience that makes the purchase worthwhile in a tactile as well as artistic sense. Lush art, nice presentation, sturdy containers, hosts of extras to keep the true fan happy.

The documentary on the DVD is a thing of joy. I had no idea how funny Nick Beggs was until this!

These people are making artsy, pretentious music, but they are neither in themselves - as evidenced herein. As for the music - yes, it references plenty of other artists' work. And I guess you could say he is stealing from them. But if the net result is THIS GOOD, who cares? If the artists that he is borrowing from were still making albums this good, we wouldn't be bitching, we'd be buying them, loving them, poring over them. Not patting ourselves on the back if we happened to spot similarities to existing work.

Lose yourself in the music, kids, its what it's all about - how it makes you FEEL. And this stuff is sublime. I don't care if it is recycled. At all. And I'm not even saying that it is. It sounds amazing. I feel amazing. That should be enough.
Comment 29 of 30 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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Format: Audio CD
Not at all!

In a recent interview, Steven Wilson alluded to a view that at a basic level everything has been done and we can only regurgitate the corpse of what has gone before. (Apologies, if the words aren't exact).

All music has reference to what has gone before. Everyone has listened to one artist and thought: 'That sounds like so-and-so'.

But, this album will be listened to for many years to come just like the classics that came before it and which bear some influence upon it.

From the opening salvo of bass and drums of 'Luminol' to the melancholic denouement of 'The Raven that Refused to Sing' this is an album to savour, to listen to again and again.

All the instruments sound like they are supposed to, not overproduced and mastered into a digital mess. A tribute to Steven Wilson's production and the engineering of Alan Parsons.

The album sounds alive and the tracks have so many turns that you feel at any time the music could soar in a totally new direction.

This album has been called a love letter to the albums of the late '60's and '70's but I think it is a little bolder so perhaps we should call it a wolf whistle down the years!
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Format: Audio CD Verified Purchase
Ok, now to quantify this review lets start by saying that I'm not the biggest Porcupine Tree fan. I thought The Incident was excellent, Stupid Dream, Lightbulb Sun was pretty good, and the rest pretty average, a few good tracks here and there but nothing too remarkable.

I would not have bought this if it had not received a glowing review in Classic Rock and thought I'd give it a punt and run a download. For £5.43 what could go wrong?

As soon as it was downloaded (took a while, broadband not too speedy here) I settled down with a mug of tea googled the lyrics and off we went.

Sailing from the speakers came a sublime mix of very retro prog mixed with jazzy interludes, atmospheric keyboards - each song intertwined with a narrative story of regret, death, etc - all the usual 'happy' prog staples. Wilson has assembled a very talented band capable of playing out his visions, an unashamed romp through extended pieces that billow out slowly and dramatically with all their prog roots showing. This is the kind of music that Punk tried, and failed to kill off in the 70's, but with a pristine clarity of recording that is frankly breath-taking. If it sounds good on an Ipod, what does the blue ray version sound like?!

Highlight for me has to the last song, the title track that tells of a man who loses his sister early on in her life, and struggling to come to terms with it convinces himself that a raven he has captured will prove that there is life after death if he can get the bird to sing. As the title suggests, the raven refuses and he is left to ponder whether there is anything beyond this life. Weird? Yes, Morbid? Indeed. Beautiful, heart wrenching and downright genius? You bet your bottom dollar...

Music for the heart, the head, the soul, the past, the future. Marvellous stuff Steve, thank you so much
7 Comments 28 of 31 people found this helpful. Was this review helpful to you? Yes No Sending feedback...
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