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Written for the three occasions that Ravel did reach the final, these cantatas are a curious amalgam of styles. The opening of Alyssa, for instance, is reminiscent of Rimsky-Korsakov, but Gounod and Massenet rapidly come to the fore. Sometimes Ravel is flattering the conservative tastes of the panel, elsewhere his own instincts come to the fore, and on occasions the young composer is being deliberately provocative. Performances are superb, the sublime Veronique Gens being the pick of the soloists. A fascinating disc.
Performance *****
Sound *****
© BBC Music Magazine 2001
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