"When I was a young girl, I had long braids, and always wanted to be Rapunzel," confided a colleague at a recent meeting. Paul Zelinsky's Caldecott award-winning retelling of this age-old tale of a mother-to-be's craving for the forbidden rapunzel, a possessive sorceress, a beautiful girl with an unending cascade of silky hair shut away in a remote tower, and a handsome prince just might reawaken those desires. In his informative "Note About Rapunzel ," Zelinsky relates how he drew on elements from the early French and Italian sources as well as from the better known Grimm version of this tale to create his own compelling version. Thus, some details of the story are less familiar. Rapunzel naively reveals that she has had a visitor in the tower when she asks the sorceress to help her with her dress for, "It is growing so tight around my waist, it doesn't want to fit me anymore." Other elements, retold in their familiar spare rhythm, such as "Rapunzel, Rapunzel, let down your hair!" retain ther original power. Zelinsky uses the formal beauty of Renaissance art to evoke both the physical beauty of the characters and the Italian landscape. His large oil paintings overflow with softly muted colors, billowing folds of finely detailed period costumes, ornate architecture, and majestic landscapes. His masterful use of glinting and filtering light illuminates every page. Zelinsky's Rapunzel is a book to be treasured by anyone who appreciates a timeless tale and delights in an object of visual beauty.