I've got these albums separately, 'Rainmaker' containing a few bonus tracks that aren't on this twofer. Even so, this is a great value item. 'Rainmaker' is Chapman's 1969 debut and consists of a mixture of the singer accompanying himself with his distinctive and imaginative acoustic guitar playing, group numbers and the odd instrumental. The sound is a bit rough compared with 'Fully Qualified Survivor,' which is a classic in its own right and is the superior album. Whereas the production on 'Rainmaker' tends to compress and merge the layers of sound, 'Survivor' seems so clear and expansive.
As far as the tracks themselves are concerned, 'Rainmaker' opens with the outstanding 'It Didn't Work Out' which builds relentlessly to a tumultuous climax. Chapman likes his instrumentals and, surprisingly for a solo guitar, both the title track and 'Thank You P K 1944' are distinctive and impressive. He also has a tendency to play long intros. By the time he gets to the vocal on the bluesy 'No One Left To Care' you've almost given it up as another instrumental. Though the songs are good, there aren't as many differences between them as those on 'Fully Qualified Survivor.'
That second album is magnificent. The nine-minute opener, 'The Aviator' begins with an eerie ninety seconds of improvised guitar, bass and violin. Then, as Chapman begins to sing of insanity in his doleful drawl, it all comes together, dignified and poignant, like so many of the tracks here. The rock band workouts 'Stranger In the Room' and 'Soulful Lady' are superb, helped in no small measure by Mick Ronson and bassist Rick Kemp. The latter does a great job right across the album. The quieter but intense 'Postcards Of Scarborough' and 'Kodak Ghosts' are just as good, if not more so. Once again, there are two are three nifty instrumentals. Indeed, 'Fully Qualified Survivor' is flawless.
This is a marvellous collection. Buy.