Product details
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| Disc: 1 | |||
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| 1. 1. Grave - Allegro ma non troppo | |||
| 2. 2. Allegro animato | |||
| 3. 3. Larghetto | |||
| 4. 4. Allegro con fuoco | |||
| 5. 1. Non allegro - Concertgebouw Orchestra of Amsterdam, Vladimir Ashkenazy | |||
| 6. 2. Andante con moto (Tempo di valse) - Concertgebouw Orchestra of Amsterdam, Vladimir Ashkenazy | |||
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| Disc: 2 | |||
| 1. 1. Largo - Allegro moderato | |||
| 2. 2. Allegro molto | |||
| 3. 3. Adagio | |||
| 4. 4. Allegro vivace | |||
| 5. The Isle of the Dead, Op.29 - Concertgebouw Orchestra of Amsterdam, Vladimir Ashkenazy | |||
| Disc: 3 | |||
| 1. 1. Lento - Allegro moderato | |||
| 2. 2. Adagio ma non troppo | |||
| 3. 3. Allegro | |||
| 4. 1. Allegro ma non tanto (Silver Bells) - Ryszard Karcykowski, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | |||
| 5. 2. Lento (Golden Bells) - Natalia Troitskaya, Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | |||
| 6. 3. Presto (Alarm Bells) - Chorus of the Concertgebouw Orchestra, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | |||
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The first and third symphonies are also very well played and are great performances. Although, neither have attained the status of popularity as that of the second, both are important pieces of music in the Rachmaninov repetoire. Ashkenazy brings as much attention to detail and feeling on these two symphonies as he does on Symphony No. 2.
The 'filler' pieces actually are some of the true highlights of the set. For example, you'll be hard pressed to find a better performance of "Isle of the Dead". First of all, it's not an often-recorded work, and second, Ashkenazy has a full sense of how this piece is supposed to work. Filled with darkness, the listener is sure to hear what Rachmaninov was trying to convey. The playing again is crisp, detailed, and full (due to the excellent recording of London/Decca)
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