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Track Listings
| 1. 1. Moderato | |||
| 2. 2. Adagio sostenuto | |||
| 3. 3. Allegro scherzando | |||
| 4. Introduction | |||
| 5. Variation 1 | |||
| 6. Theme | |||
| 7. Variation 2 | |||
| 8. Variation 3 | |||
| 9. Variation 4 | |||
| 10. Variation 5 | |||
| 11. Variation 6 | |||
| 12. Variation 7 | |||
| 13. Variation 8 | |||
| 14. Variation 9 | |||
| 15. Variation 10 | |||
| 16. Variation 11 | |||
| 17. Variation 12 | |||
| 18. Variation 13 | |||
| 19. Variation 14 | |||
| 20. Variation 15 | |||
See all 87 tracks on this disc
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Customer Reviews
Most Helpful Customer Reviews
21 of 22 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
What a furore this recording has caused; reviews range from the adulatory to brutally critical. Michael F has made some telling points, and perhaps I may add my judgement.
The very slow opening of the concerto is a precursor of what is to come, a very romanticised view of the work. Lang Lang evidently has strong views on the emotional content of the music, and attempts to wring every last ounce from it. Gergiev backs him all the way. In doing so, much of the fire and bite in this work is lost. There are moments of great beauty, and flashes of brilliance in some faster, louder sections, but large sections sound subdued and torpid. There is no gainsaying Lang's technique and one can admire much in that department (including in the opening chords, which he doesn't arpeggiate, as some find it necessary to do). But what of the composer? To misquote Star Trek's Scottie, 'It's Rachmaninov, Jim, but not as we know it'.
The Rhapsody sits more comfortably with me - after all, Lang Lang's style so far could have been described as rhapsodic with some justification. As in the concerto, he doesn't manage the 'cut and thrust' with the orchestra as well as some, but that may be exacerbated by the recording.
I would not criticise the piano sound greatly but it is certainly balanced to the fore and more closely miked than the orchestra. Whether the Mariinsky strings have decided to follow Rachmaninov to America and adopt the US style, or the recording has been given the Hollywood treatment, the overall effect is very plush, smooth and glossy. There is some beautiful playing, but all is wrapped up in a cloying veil behind the piano. Nevertheless, balance in the orchestra, frequency and dynamic range, and ambience, are all more than acceptable. The rear channels only draw attention to themselves in louder passages, where they add to the impression of hall ambience.
I could live with the Rhapsody as long as I could also sample other recordings, but I'm not fully convinced by the concerto. Its okay for a Brief Encounter, a smoochy one-night stand, but not one to love, forsaking all others, for ever.
The very slow opening of the concerto is a precursor of what is to come, a very romanticised view of the work. Lang Lang evidently has strong views on the emotional content of the music, and attempts to wring every last ounce from it. Gergiev backs him all the way. In doing so, much of the fire and bite in this work is lost. There are moments of great beauty, and flashes of brilliance in some faster, louder sections, but large sections sound subdued and torpid. There is no gainsaying Lang's technique and one can admire much in that department (including in the opening chords, which he doesn't arpeggiate, as some find it necessary to do). But what of the composer? To misquote Star Trek's Scottie, 'It's Rachmaninov, Jim, but not as we know it'.
The Rhapsody sits more comfortably with me - after all, Lang Lang's style so far could have been described as rhapsodic with some justification. As in the concerto, he doesn't manage the 'cut and thrust' with the orchestra as well as some, but that may be exacerbated by the recording.
I would not criticise the piano sound greatly but it is certainly balanced to the fore and more closely miked than the orchestra. Whether the Mariinsky strings have decided to follow Rachmaninov to America and adopt the US style, or the recording has been given the Hollywood treatment, the overall effect is very plush, smooth and glossy. There is some beautiful playing, but all is wrapped up in a cloying veil behind the piano. Nevertheless, balance in the orchestra, frequency and dynamic range, and ambience, are all more than acceptable. The rear channels only draw attention to themselves in louder passages, where they add to the impression of hall ambience.
I could live with the Rhapsody as long as I could also sample other recordings, but I'm not fully convinced by the concerto. Its okay for a Brief Encounter, a smoochy one-night stand, but not one to love, forsaking all others, for ever.
17 of 19 people found the following review helpful
Format:Audio CD|Amazon Verified Purchase
I really wanted to respect this recording. On paper there seems to be so much to admire, but its execution - both performance and recording - make it certain this disc is destined to be an also run.
Technically the recording is so biased in favour of the piano that the concerto, in places, seems to become wholly a work for solo piano. Further - and a major problem - it seems the piano is either over-miked or that the producers have opted for forceful compression of the signals, making for significant distortion in the upper registers. This alone would be enough to discard this recording. But worse is to come ...
It makes no sense to approach this concerto with a level of interpretative revisionism such that the psychodrama that underscores the work is all but removed. But this is exactly what appears to take place in this performance. Lang Lang appears to wish to erase the inherent internal tensions, the essentially human struggle at the centre of Rachmaninov's masterpiece, and to replace it with a notionally clinical excellence. Frankly I would rather have the odd bum note and gain the humanity, than endure the sterilisation of perfection. Anyway, of course perfection, as such, doesn't exist in this context. It's always going to come down to interpretation, so even with its inevitable technical limitations, I would opt for Van Cliburn's histoical recording which is infinitely superior to Lang Lang's.
Technically the recording is so biased in favour of the piano that the concerto, in places, seems to become wholly a work for solo piano. Further - and a major problem - it seems the piano is either over-miked or that the producers have opted for forceful compression of the signals, making for significant distortion in the upper registers. This alone would be enough to discard this recording. But worse is to come ...
It makes no sense to approach this concerto with a level of interpretative revisionism such that the psychodrama that underscores the work is all but removed. But this is exactly what appears to take place in this performance. Lang Lang appears to wish to erase the inherent internal tensions, the essentially human struggle at the centre of Rachmaninov's masterpiece, and to replace it with a notionally clinical excellence. Frankly I would rather have the odd bum note and gain the humanity, than endure the sterilisation of perfection. Anyway, of course perfection, as such, doesn't exist in this context. It's always going to come down to interpretation, so even with its inevitable technical limitations, I would opt for Van Cliburn's histoical recording which is infinitely superior to Lang Lang's.
22 of 25 people found the following review helpful
Format:Audio CD
I just can't believe DG has released this record with such obvious problems.
First, the piano is overstated - mics are probably way too close and as a result the piano sound is poor in terms of clarity throughtout the recording (except perhaps in the pp and ppp passages); in fact, it just doesn't sound like a concert Steinway, rather like a prep school babygrand.
Second, the orchestra sounds distant; it doesn't blend well with the piano.
Last but not least, Lang Lang's interpretation, whilst technically correct, is just disappointing: phrasing and articulation is not in the great masters style that we all know - it almost seems he lacks inspiration - it is rather a show off of his dexterity. This is unfortunate because I have seen Lang Lang live at the RAH, and he did a superb interpretation that day (plus his favorit Liszt encores !)
Any positives? ... let me just say that the orchestra sounds very fine (although distant) and is brilliantly conducted.
All in all, I just can't believe DG has released such a crippled record - Lang Lang should record it again it (with a decent producer), and this one should be recalled away from the market (and buyers like myself refunded). All these problems are exacerbated if you listen in two channels - multichannel helps by providing greater clarity to the piano - all in all 1 star in stereo; 2 in multichanel.
I guess I will keep this record as a case study of what can go wrong in top budget classical music recording.
First, the piano is overstated - mics are probably way too close and as a result the piano sound is poor in terms of clarity throughtout the recording (except perhaps in the pp and ppp passages); in fact, it just doesn't sound like a concert Steinway, rather like a prep school babygrand.
Second, the orchestra sounds distant; it doesn't blend well with the piano.
Last but not least, Lang Lang's interpretation, whilst technically correct, is just disappointing: phrasing and articulation is not in the great masters style that we all know - it almost seems he lacks inspiration - it is rather a show off of his dexterity. This is unfortunate because I have seen Lang Lang live at the RAH, and he did a superb interpretation that day (plus his favorit Liszt encores !)
Any positives? ... let me just say that the orchestra sounds very fine (although distant) and is brilliantly conducted.
All in all, I just can't believe DG has released such a crippled record - Lang Lang should record it again it (with a decent producer), and this one should be recalled away from the market (and buyers like myself refunded). All these problems are exacerbated if you listen in two channels - multichannel helps by providing greater clarity to the piano - all in all 1 star in stereo; 2 in multichanel.
I guess I will keep this record as a case study of what can go wrong in top budget classical music recording.
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Most Recent Customer Reviews
We all make mistakes
Should have stuck to playing my other two versions of this. I did not read any reviews before purchasing this so my opinions are a natural reaction to my first hearing. Read more
Published 5 months ago by mr angry
By chance.
Having recently bought my first I Pod and being of advancing years I was so pleased at the quality of the playing and of the recording that it was imperative of me to make... Read more
Published 7 months ago by Tops
Lang Lang at his best
Lang Lang plays the piano with such debth of feeling and beauty. I can listen to him for hours - he is magic.
Published 7 months ago by madcow
Superficial Pianism
This pianist is technically phenomenal, and desperate commercialism of classical music industry presents him as a great master, but he needs to learn he is far from it yet and... Read more
Published 12 months ago by dreamchildren
fantastic
This has been my dream for 35 years Many different Moira Lympany to Lang both different but brllliant
Published 21 months ago by iminere
perfection
I have just played this album and it is upto the standard I would expect from Lang Lang. As usual EVERY note he plays is audible whether loud or soft and the feeling he
plays... Read more
plays... Read more
Published 23 months ago by Musicman
Brilliant
I wasn't sure what to expect as I don't know Lang Lang's work very well - from the little I've heard he's very good at fast-paced, dynamic, dare I say more modern pieces, and I... Read more
Published on 5 Dec 2009 by Boofles
SUPERB
For some reason Lang Lang seems to generate extremes in reviews. I must say that I find his playing exciting, crystal clear and incredibly moving. Read more
Published on 1 Nov 2009 by I. R. Scott
Fantastic
I selected this artist coz I thought well if he has played at the Marinsky in St Petersberg they must reckon he is one of the best. Read more
Published on 2 May 2009 by Anj Staplehurst
Lang Lang is a fantastic modern artist
The first time I saw Lang Lang perform was in London about five years ago. He played the Tchaikowsky Piano Concerto No 1 with such passion and power that the entire audience... Read more
Published on 28 Dec 2008 by Lazy Lee
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