This is the seventh and final volume in our acclaimed Rachmaninoff series, which has been performed by the BBC Philharmonic under Gianandrea Noseda. They are joined in this recording by the Chorus of the Mariinsky Theatre and the soloists Svetla Vassileva, Misha Didyk, and Alexei Tanovitski. The disc was recorded live at this years Proms at the Royal Albert Hall, London. Rachmaninoff composed his choral symphony The Bells in 1913. It takes its inspiration from poems by Edgar Allan Poe in a Russian translation by the poet Konstantin Balmont. The first movement, evoking the chimes of silver bells on a winter sleigh ride, is unusually cheerful for both the composer and author, while Wedding Bells blends the yearning of Wagners Tristan und Isolde with a darker and more ominous undercurrent that carries through to the end. Of this Proms performance, The Guardian wrote: The soloists soared, the choir bloomed, and Noseda powered the orchestra through thrilling climaxes to the funereal closing bars. In the brooding cantata Spring of 1902, the restlessness and lively use of percussion reflect the composers mindset at the time: He was hungry to write music once again after suffering from a three-year bout of writers block and depression. The work is based on a poem by Nikolay Nekrasov and describes the return of the Zelyoniy shum, or green rustle. The poem tells of a husband who, fraught with murderous thoughts towards his unfaithful wife during the winter season, is freed from his frustrations by the return of spring. The Three Russian Songs are poignant, gem-like time capsules of a Russia now irretrievably lost. They were written in 1926 when Rachmaninoff was living and exhaustively touring as a pianist in America. Vladimir Wilshaw, Rachmaninoffs old friend from student days, said of this work: Only a man who loves his country could compose this way. Only a man who in his innermost soul is a Russian. Only Rachmaninoff could have composed this!
Gianandrea Noseda handles the work skilfully,with sensitivity to the contrasted moods and to the orchestral details as well as the balance with the chorus and soloists. --IRR,Nov'11
Beautifully played. Performance *** Recording **** --BBC Music Magazine,Christmas'11
Strong and powerful performances. **** --Classic FM Magazine,Feb'12
Gianandrea Noseda's Rachmaninov series has regularly disinterred rarities to go alongside the repertory works, and the latest instalment, devoted to choral music and derived from a concert at last summer's Proms, is no exception. The familiar work here is The Bells, the choral symphony based on a Russian translation of Edgar Allan Poe's poem, which Rachmaninov completed in 1913. Spring is an early and pallid setting for solo baritone, chorus and orchestra of a poem by Nikolai Nekrasov, with just enough anticipations of the mature composer to make it worthwhile, while the rather slight Three Russian Songs, composed in the US in 1926, sound like what they are, a homesick composer's evocation of a homeland to which he knew he would never return. Noseda shapes both works sympathetically but inevitably responds more vividly to the more expansive canvas of The Bells; all the performances have the benefit of the Russian soloists and the wonderful chorus of the Mariinsky Opera.**** --Guardian,19/01/12