In recent years there have been several quality photo books recalling bygone motor sport providing a wonderful nostalgia-trip and valuable archive for future generations. `Races Faces Places' is a selection from the lens of Michael Cooper who was active as a jobbing professional during the 1960s and into the early 1970s, covering mostly GPs and a few other selected races. An earlier book of his work - `Sixties Motor Racing' - now goes for silly money: I confess I never saw that, but it seems to have consisted primarily of previously published action shots. For this new book, Parker has trawled through Cooper's copious negative collection [Cooper died in 2005] to come up with a selection of nearly 400 lesser-known and extremely varied shots.
Despite the comments in Amazon's product description the book is not "divided into three sections" but laid out approximately chronologically, with chapters titled `1956-61', `1962-64', `1965-69' [the largest chapter], `1970s' [up to 1973, includes a few overhead comparisons from 1988], `Cinematic Overtures' [a short look behind-the-scenes of the films `Grand Prix', `Le Mans' and `Chitty Chitty Bang Bang'] and `More To Consider' [a miscellaneous assortment]. Monochrome predominates in the early part of the book, as do UK locations, but it gradually becomes more colourful and international as it progresses through the 60s.
Anyone familiar with Parker's excellent `In Camera' series - also with Haynes - will know roughly what to expect as there is a distinct family resemblance in layout and style: aside from short chapter summaries, commentary is reduced to explanatory captions leaving us to concentrate on Cooper's pictures. And they are a wonderfully eclectic selection: aside from obligatory `action shots', we see paddocks, pits, car parks, autograph-hunters, transporters, candid portraits [not just drivers], Cooper family, grids and many others giving a superb insight into the atmosphere of life in and around motor sport in those days, some reminding us that racing was then very dangerous.
Faults? Not really, though I could do without Parker's regular side-swipes at modern F1 and perhaps I would have preferred it to concentrate solely on the 1960s, but that merely reflects my own interests. Overall, `Races Faces Places' is another essential for lovers of the period and a worthy addition to a growing number of volumes of this type.