I had hoped this novel would be fun and frothy, but unfortunately I was very disappointed. It traces the interlinked stories of four women, Anna, Clare, Ella and Rachel, beginning with Rachel's upcoming wedding to Toby, Anna's ex-boyfriend from university for whom she still carries a torch. Anna's best friend Clare tries to encourage Anna to finally put Toby behind her, while Ella, Anna's old nemesis from university, is having marital problems of her own.
A significant problem with this book is the lack of research Helen Warner put into it. A previous reviewer has already pointed out the implausibility of one of the plot lines, involving a wife being automatically cut out of her husband's will although previous wills are invalidated upon marriage, and I can weigh in on another matter - the section of the book set in Cambridge, where Anna, Toby, Clare and Ella were supposedly students at Trinity College. Warner has clearly not researched the university at all, or even spoken to somebody from Oxbridge - who would be able to tell her that Cambridge students do not live in 'halls of residence', but college accommodation, do not study in 'tutor groups', but attend supervisions, and that Anna would certainly not be living somewhere with a view of the railway station in her first term, as she'd be living centrally in Trinity College accommodation (it owns half the city, so they wouldn't be short of places to put her!) Poor Anna is also required to achieve an A* and two A grades at A Level to get into Trinity in 1997, although the A* wasn't introduced until 2008, so it's slightly surprising she turns up there at all. Although this all sounds nitpicky, the central point is that Warner writes this section of the novel without absolutely no sense of place, and the rest of the settings are equally bland, although I am unable to comment on their accuracy. It's frustrating because a brief conversation with an Oxbridge graduate or a quick look at the Trinity College website would have cleared these details up immediately, so it would hardly have taken much effort.
This novel is also weirdly paced. One important plot line culminates halfway through the narrative, and unsurprisingly, I quickly lost interest after it was resolved. Ella's and Clare's plot lines add some extra drama, but don't really mesh well with the central narrative and read as sidelines. Rachel, whom I found the most sympathetic of the four women, also shoots off on a tangent. The writing isn't strong enough to hold the reader's attention without a convincing plot, so the novel doesn't really work as a whole. For these reasons, I wouldn't recommend buying this book, and would instead suggest trying a chick lit novel by a better writer, such as Marian Keyes, Harriet Evans or Lindsay Kelk.