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In this Fantasyland, there's a standoff between unpleasant empires run along police-state lines, with "paladins" as heavy enforcers, brutal suppression of awkward truths, and zero human rights for the people in the street. One lunatic prince forever flees Death in a magic floating palace that wanders through his realm, uncaringly crushing farmhouses and orchards that get in the way. All this spawns a highly organised Resistance crossing imperial borders, whose long-term plans--most unusually--do not involve armed uprising. Meanwhile, far away, a warlord called Zerreiss is gobbling up townships, promising freedom, and seems to have the advantage of some mysterious affinity with this world's (literal) underground channels of magic.
Nicholls assembles a motley crew of misfits: a woman enforcer disgraced for insisting on the truth, a warrior from a despised race who's afflicted with an odd blessing-cum-curse, a wizard's apprentice whose master was murdered by paladins and who proves to have a very special talent, an unwilling prostitute on the run, and a famous tenor singer. All end up together in the Resistance, where they're drawn into highly illegal schemes to raise money and to sabotage the imperial record system with its dossiers on known dissidents. On the other side, the state has adapted magical glamours into tools of surveillance, oppression and torment, while even the rebel outfit is plagued with embedded spies.
Against this interesting background, there are numerous set-pieces of fast-paced but routine fantasy action: many sword fights, daring assaults on fortified houses, raids and rescues, Indiana Jones-style booby traps, and--something that now seems to be contractually required in commercial fantasy--a desperate flight through stinking sewers. This is all good fun, though, and the pages turn fast. --David Langford --This text refers to an out of print or unavailable edition of this title.
‘Quicksilver Rising is brilliantly conceived and beautifully constructed. From the first gripping action scene it had me hooked. It has all the ingredients to become a classic of the genre’ David Gemmell
‘Nicholls tells a story into which the reader is dragged as willing victim. He has an eye for action and character, keeps the pace high, plot finely tuned and pages turning; and in Quicksilver Rising has delivered a hugely entertaining read.’ James Barclay
‘Stan Nicholls puts modern dialogue into the mouths of high fantasy characters and echoes of our politics into the kingdoms he creates. Easily as much fun as you’d expect.’ Jon Courtenay Grimwood, Guardian
‘Nicholls knows his stuff … deft characterization … full of action, magic, romance and politics’ Starburst
Exhilirating, innovative fantasy writing … delivered with tremendous panache’ Publishing News
‘A cracking blend of high fantasy adventure and thought-provoking political thriller – a real feast for intelligent imaginations.’ Louise Cooper
’Fast-paced, high adventure … a bare-knuckle fight with a magic punch.’ Mark Chadbourn
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It enters into the action straight away and is fast-paced, clever and sharp all the way through. The sequenses describing fights are breath-taking, superbly well written. The characters are well formed and believable. The story is the first in a trilogy, but it doesn't leave you feeling empty. You know you've read a book as it gets right into the story from the begining and stays there.
The use of magic as (possibly) a symbol of money, greed, power in modern life is a great stroke.
A most enjoyable read. Recomended.
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