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4.0 out of 5 stars
Saving not-so-maidenly damsels in distress, 14 Jul 2005
"Suddenly I knew what she reminded me of. A vixen. A quick red fox. I had seen one in heat long ago on an Adirondack morning in spring, pacing along well in front of the dog fox with a very alert and springy movement, tail curled high, turning to see if he still followed, tongue lolling from between her doggy grin." - McGee's first impression of red-haired sex symbol Lysa DeanA mutual screenwriter friend in San Francisco, one of two real male friends Lysa has, recommends Travis to her to resolve a very sordid blackmail problem: after wrapping a movie a year and a half before, she'd taken three weeks holiday with a now-departed boyfriend who, apparently out of spontaneous boredom, brought in several casual acquaintances of both sexes for fun and games, which a month later turned up in a series of very candid anonymous photographs. Lysa paid off the anonymous photographer at the time, her reputation for professional reliability being a little too precarious and her conservative fiancee being *far* too rich for her to risk either by sending hired muscle after the blackmailer. But now a set of copies of the photos have begun turning up in Lysa's mail with threats that suggest a potential sexual predator has gotten hold of a set of prints and created new negatives, and that Lysa's life as well as her reputation may be at stake this time. Travis' job is to find the blackmailer and account for all the photographs and negatives rather than to protect Lysa, who is *not* the female lead this time out. (Travis has a streak of the prude in him.) Instead, Lysa's confidential secretary/personal assistant, Dana Holtzer, is assigned to accompany Travis, assist, and monitor the situation. Travis misreads Dana at first as a repressed prude not worth his respect and is set firmly straight to his great embarrassment; she knows a *lot* more about some kinds of tragedy than he does. Yet another fine example of Travis' adventures as a knight in tarnished armour; not only is Ms. Dean a far-from-innocent lady fair, but Dana has some very complicated issues herself, though of a more wholesome variety. Travis comes to respect Dana as being worth at least ten of her employer. The story is a kind of morality tale, in a way, as Travis tracks down the other players in that orgy in the land of eternal summer and finds a trail of broken relationships and torn-apart lives, each tragedy apparently unrelated to the rest save that the kind of people who'd be involved in that sordid holiday might be expected to come to grief. Each is an interesting and individual problem, apart from the puzzle of how the blackmailer happened upon Lysa's indiscretion and why a second set of photos has now turned up. Points of interest: - Lysa turns up years later in FREE FALL IN CRIMSON with a separate problem and further information about how certain events played out. - MacDonald does *not* turn Travis' cynical insight loose upon the Hollywood culture in general, but there's plenty of philosophical musing along the way. - Meyer is mentioned in passing, but doesn't actually appear in a book until DARKER THAN AMBER, to the best of my recollection. - Interesting photographer friend of Travis' is introduced in passing as a consultant. - Rather negative portrayal of some female homosexual/bisexual characters herein may offend some readers.
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