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Parallels are being struck all over the place with radicalism in the 20th century--part of what makes Gert a memorable voice is a combination of zeal, pragmatism and survival instinct that keeps him one step ahead of the Inquisitors for 30 years and enables him to, for example, do serious damage to the Holy Roman Emperor's favourite bankers. In the end, Gert and Q are left with more in common than the past they share--the rules are changing and the board is being cleared, and there is time for one last crucial intervention... This is ingeniously plotted, and full of vividly realised scenes of 16th century life; if it has a fault, it is that we live through every day of three tumultuous decades, every sermon and theological treatise, in exhausting detail. --Roz Kaveney
Perhaps part of the problem is that in Britain our only knowledge of Renaissance history is Henry VIII and Elizabeth I. Little are we told (either in school or in the history prgrammes that now swamp the TV schedules) that, prior to Napoleon, British history is if anything a sideshow to the main event in Europe and often not even that.
This is a huge, sweeping epic of a novel that explores, among other things, the religious fervour which swept the continent in the decades after Luther's Protest, the brutality of the Inquisition, the in-fighting that gave rise to a separate Protestant church, the nature of class struggle and revolution, the rise of mercantilism and the manner in which politics was practised in a pre-democratic era. All this and more is weaved into the fabric of a gripping plotline and is told in a narrative style that brings alive the sights, sounds and smells of a continent dragging itself out of the Middle Ages.
Read on Olly, you've missed one of this year's best publications!
I am unsure how a reader without knowledge of the 40 years after Luther's protest in 1517 would sustain their interest in the complexities of the text. I hope that the book won't be merely for the historically initiated, but I fear that it will. The authors certainly do themselves no favours by the layout: an unnecessarily spread out 600 plus pages make the book more daunting than it should be. The opening too is off-putting, jumping about pointlessly from one early event to another. However, by the time the narrative settled down into a more straightforward format in Part Two, I was hooked.
The horrors and disappointments of the Kingdom of Munster in the 1530s are brilliantly, even cinematically, depicted as the central narrator, a man of many names, sees his dream of a communal society (as they often do) descend into mayhem and carnage reminiscent of the end of Apocalypse Now.
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