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Pygmalion: a Romance in Five Acts (Penguin Classics) (Paperback)

by George Bernard Shaw (Author), Nicholas Grene (Introduction) "London at 11.15 p.m. Torrents of heavy summer rain ..." (more)

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Product details

Paperback: 176 pages
Publisher: Penguin Classics; Rev Ed edition (30 Jan 2003)
Language English
ISBN-10: 0141439505
ISBN-13: 978-0141439501
Product Dimensions: 19.6 x 12.8 x 1 cm

Average Customer Review: 4.7 out of 5 stars See all reviews (6 customer reviews)

Amazon.co.uk Sales Rank: 10,432 in Books (See Bestsellers in Books)

Popular in these categories:

#7 in	Books > Music, Stage & Screen > Performing Arts > Plays & Drama > 20th Century
#7 in	Books > Poetry, Drama & Criticism > Drama > By Period > 20th Century
#24 in	Books > Poetry, Drama & Criticism > History & Criticism > Drama & Dramatists

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Product Description

Pygmalion both delighted and scandalized its first audiences in 1914. A brilliantly witty reworking of the classical tale of the sculptor Pygmalion, who falls in love with his perfect female statue, it is also a barbed attack on the British class system and a statement of Shaw's feminist views. In Shaw's hands, the phoneticist Henry Higgins is the Pygmalion figure who believes he can transform Eliza Doolittle, a cockney flower girl, into a duchess at ease in polite society. The one thing he overlooks is that his 'creation' has a mind of her own.

About the Author

Dublin-born George Bernard Shaw (1856-1950) was an active Socialist and a brilliant platform speaker. He was strongly critical of London theatre and closely associated with the intellectual revival of British drama. Dan H. Laurence has edited Shaw's COLLECTED LETTERS and COLLECTED PLAYS with their Prefaces. He was Literary Advisor to the Shaw Estate until his retirement in 1990. Nicholas Grene is Professor of English at the University of Dublin.

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London at 11.15 p.m. Torrents of heavy summer rain. Read the first page

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Customer Reviews

6 Reviews

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4 star:		(2)
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4.7 out of 5 stars (6 customer reviews)

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11 of 11 people found the following review helpful:

5.0 out of 5 stars Musicals? You can keep 'em!, 14 Mar 2006

By	Katathome "Kat" (Wales) - See all my reviews

Having thoroughly enjoyed My Fair Lady over the years, I came to the book expecting to enjoy a recap of the film - was I wrong!
From the start, this book grabbed my attention and kept me glued to the page - so different to the filmed version, and so much better!
I laughed a lot and wanted to scream a lot at Higgins but, and this was a good sign for me, I was so terribly disappointed when I got to the end!
Read it and laugh - this is definately staying on my 'keeper' shelves!

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6 of 7 people found the following review helpful:

4.0 out of 5 stars better than thought, 30 Jan 2007

By	M. C. Batson "wanted82" (UK) - See all my reviews (REAL NAME)

I hadn't read anything like this before but had to read this for the Open University course An Introduction to the Humanities. I liked it and found it a well written book. It helped me get a great mark in my assignment too which is an added bonus.

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22 of 32 people found the following review helpful:

5.0 out of 5 stars A bit didactic but full of fun, gaiety, humor & Shavian wit, 29 May 2004

By	"markandeya" - See all my reviews

Published as a play in 1916, 'Pygmalion' is one of Shah's play not heavy on philosophy. I, personally feel that his plays heavy on philosophy are his best - 'Man and Superman', 'St. Joan', 'Androcles and the Lion' et al. Among his plays of 'not heavy on philosophy' genre, I rate 'Pygmalion' as one of the best. It is full of fun, gaiety, humor, Shavian wit and is a wee bit didactic. As Shaw wrote in the preface of 'Man and Superman', that all good, great writing should be didactic. So, even in the mildly didactic 'Pygmalion', Shaw had more than one axe to grind so to say.

The central theme of Pygmalion is the gift of speech in human
beings. Shaw has tried to depict as to how a person speaks affects their own personality and the people around. As a corollary to this theme, Shaw hoped to popularize the science of phonetics. In the short preface of the play, Shaw also makes a plea for enhancement of the English alphabet (with it's too few vowels and few consonants) to make English reading pronunciation rational. Both his wishes of popularizing phonetics and getting the English alphabet enlarged remain unfulfilled even today, perhaps a measure of how much ahead of the times he was or still is!

The locale is London's Covent Garden vegetable market. The time is late night. It is pouring heavily, everybody is seeking the shelter of a church's portico. Among the shelter seekers is an impoverished, bedraggled flower girl Liza with a terrible cockney accent. Liza is trying to peddle her flowers to the crowd of shelter seekers. A middle- aged gentleman, professor Higgins is taking down her speech (in Bells Visible Speech) in his notebook. Professor Higgins is an eccentric phonetician, expert on London accents and can place a person by their accent to the street they originate from. One other shelter seeker is an ex-military man, Colonel Pickering (also middle aged) with a deep interest in phonetics. As professor Higgins Colonel Pickering get talking, Higgins bemoans the terrible accent of Liza (most depressing and disgusting sounds) and boasts that if given a chance to teach and train her to speak for three months, he could pass her off as a duchess on the basis of her fine way of speaking! It comes about that Colonel Pickering is willing to bear the expense of teaching Liza to speak by Higgins. The rest of the play is about Liza 'the live doll' learning to speak like a Duchess from two confirmed bachelors Higgins and Pickering and whether they are able to pass her off as a duchess.

The woman protagonist character of the play Liza like all Shaw's woman protagonist character is strong willed and assertive. Having to endure during her learning the overbearing ways, domineering mien, downright bullying from a socially superior Higgins her teacher, she manages to hold her own. In the latter stages of the play, she even manages to get the better of him and Higgins has to tamely acknowledge that he has made a 'woman' of her after all. (a lame defence) Although there is a romantic angle, (Liza and Freddy) the relationship between Liza vis-�-vis Higgins and Pickering are pivotal, focal relationships of the play. The Liza, Freddy romance is a relegated affair. I feel only Shaw could do this i.e. make a non-romantic relationship so interesting over the other. But then Shaw loved debunking popular notions. All in all a much readable play.

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Most Recent Customer Reviews

5.0 out of 5 stars Comic Genius
The greatness of this play is expressed for me by the fact that even reading it straight through as a text, rather than hearing or seeing it enacted as a drama, it still made me... Read more

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4.0 out of 5 stars A lovely insight into Victorian England...
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