PURPLE STORM
[Chi Yue Fung Biu]
(Hong Kong - 1999)
Aspect ratio: 1.85:1
Theatrical soundtrack: Dolby Digital
Though produced with an international (ie. American) market in mind, Teddy Chan Tak-sum's moody action-thriller retains enough of its Chinese identity to distinguish the film from its run-of-the-mill US counterparts. Daniel Wu Yin-cho (NEW POLICE STORY) plays a young Cambodian terrorist who loses his memory during a shoot-out in Hong Kong with an elite anti-terrorist unit (run by Emil Chow Wah-kin). Reprogrammed by his captors to believe that he's an undercover cop, he's subsequently recaptured by his Khmer Rouge associates - commanded by his father (Kam Kwok-leung, handicapped by unconvincing 'old age' makeup) - only to discover that they're plotting to detonate a bio-chemical device that will kill millions of innocent people. As Wu's fragile memory begins to return, he's suddenly torn between his father's destructive ideals and the lure of moral redemption...
Wu shares an audio commentary on Hong Kong Legends' all-region DVD with the estimable Bey Logan (now a permanent Media Asia employee, credited with providing this film's English subtitles, amongst various other production duties), but their praise for the movie's combination of top-flight action and heartfelt drama isn't really borne out by the film itself. Wu - a terrific young actor - invests his divided character with genuine pathos, but the 'amnesia' plot device casts him adrift from everyone else in the picture, including his wife (Josie Ho Chiu-yee, playing against type), who retreats into blind obedience to the 'cause' after her sexual advances are rejected. As a consequence, the entire film rings a little hollow, lacking the kind of emotional conviction which has always been a distinguishing feature of HK popular cinema.
In most other respects, however, the movie is an impressive achievement, due in no small measure to its ambitious script (by Hui Yuet-jan, Yip Wai-chung and Aubrey Lam Oi-wa) and spectacular production values. In one of the DVD's supplemental features, Josie Ho describes director Chan (credited as 'Teddy Chen' on-screen) as an extremely serious man, totally dedicated to his craft, and her observations are corroborated by the film's careful attention to detail (note the unusual butterfly symbolism, for instance), though not at the expense of action set-pieces, which are filmed with breathtaking gusto. Arthur Wong Ngok-tai's location photography recreates HK as a gleaming, hi-tech metropolis, framing every shot for maximum visual impact, and Stephen Tung Wai's dynamic action choreography is transformed by editor Kwong Chi-leung into a veritable cinematic whirlwind.
Incredibly, despite the film's strong showing in various technical categories at the Hong Kong Film Awards in 1999 (not 2000, as noted on the packaging), most of the actors went unrecognised, except for Ho, shortlisted for her low-key performance. Wu - whose extraordinary portrayal of a tortured victim of circumstances constitutes the heart and soul of the entire movie - went home with nothing, not even a nomination.
NB. During the aforementioned commentary, Wu concurs with Logan's assertion that PURPLE STORM marked the actor's first starring role, though both seem to have forgotten his shared lead with Stephen Fung Tak-lun in Yonfan's BISHONEN (1998), a brave but dramatically awkward entry in HK cinema's tentative exploration of the former colony's gay sub-culture.