The Tempts made their name singing Smokey's 3 minute love songs, with leads shared between Eddie Kendricks falsetto and the rougher sound of David Ruffin, but always with superb harmonies (listen to the acappella versions of their early hits for a real vocal treat), but things were changing for the group, Motown and the world at large. Motown were catching flak for their refusal to overtly support the Civil Rights movement (there were songs that did, but subtly, for example "Dancing In The Street" ) and the Temptations were changing David Ruffin for the ex Contour Dennis Edwards. At the same time, they asked Norman Whitfield their sometime producer, for a more contemporary sound. This album is the story of that sound.
Whitfield ushered in a much harder Funk influenced production, resulting in the album Cloud Nine in 1968, the title track for which seemed much more in tune with the times, complete with its drug references and its downbeat message. (1968 was the year of Martin Luther Kings assassination). It was a huge hit, despite any reservation Berry Gordy and the Group's traditional audience may have had.
And so the path was set, and from that album onwards, the Temptations output become more and more production led. On this collection, you have all the most significant Whitfield/Temptations collaborations. After Cloud Nine, the sound developed on albums such as "Puzzle People" and "Psychedelic Shack". Each of those albums included echoes of the Temptations vocal group origins but the Whitfield sound ruled, and 3 minute love songs became increasingly rare.
Ironically, the giant hit "Just My Imagination" returned to the vocal group tradition, but the release of the "All Directions" album in 1972 confirmed Whitfield as one of the most innovative and creative writer/producers around. And the reason for that was "Papa Was A Rolling Stone", surely one of the most risky tracks ever released by Motown. Unfortunately you only get the edited version here - good but not great
The relationship petered out in 1975, following the release of the "Song For You album, as personnel changes (Eddie Kendricks left in 1971) and the advent of Disco began to take effect. Whitfield left Motown, followed by his other Motown protegees The undisputed truth, to start the Whifield label (which would also feature Rose Royce)
So this is the story of the second phase of the Temptations, featuring tracks from the aforementioned albums, and it's a shame it doesn't feature the full length tracks for the full experience - but you'll still get some of the best Soul ever released and it's well worth your money if you are at all interested in Soul and Motown - and it might prompt you to get the albums for real thing