Prime Cuts: Just Fishin', Days Like This, Always Gonna Be That Way
On his tenth album of original material Adkins has turned red necked to red eyed. No longer a mischievous lout, "Proud to be Me" finds a mature and sensitive Adkins. While this pony tailed macho man's previous disc "Cowboy's Back in Town" was a high octane belligerent effort filled with mostly rockers, "Proud to Be Here" is a reflective collection rifled with ruminations on true love, family life and the glorious bliss of living in the South. And for fans who have been beguiled by how Adkins' deep gruff baritone can cause a ballad to light up the heart, there are spades of them here for indulgence. Adkins is also wise enough not to fall into the perennial trap of penning too many tracks himself and thus diluting his song writing prowess. This time round Adkins has only written one song in the standard version and two more cuts on the deluxe version. As a result of garnering songs from some of Nashville's most able scribes such as Aaron Barker, Casey Beathard, Rivers Rutherford, Ray Scott, David Lee Murphy and Dallas Davidson, the quality of the songs are sturdier in their melodic structures and the lyrics show more depth and dimension.
Of the songs that really cause the heart to flutter, "Just Fishin'" is a turbo. Calling to mind Adkins' smash "You're Gonna Miss This," "Just Fishin'" is another brilliant father/daughter song that trumps on the details of how the protagonist tries to spend time and love with his daughter. To hear a big man like Adkins singing about ballet shoes, training wheels and kittens only testifies to the transforming power of a father's love. The gorgeous piano introduction to "Always Gonna Be That Way" leads us to heart warming romantic ode where Akins extols the virtues of small town living and eternal love. Idyllic, romantic and relaxing is the care free ballad "Days Like This" where Adkins softly croons "If the world's going to hell, let it go, I'll just blow it a kiss/Don't Want to think about things like that on days like this."
More precious moments are recalled on the title track "Proud to Be Here." A philosophical musings of how to live one's life with faith and meaning, "Proud to be Here" ought to be our personal anthem. Ray Scott, a brilliant traditionalist himself, co-writes with Philip Moore "Poor Folks"--one of the album's most traditional-sounding songs-- set on a slow country waltz pace. Nevertheless, producers Mark Wright and Kenny Beard do make concessions for radio. "That's What You Get," is a standard radio affair--a jaunty riled up number with an engaging melodic line and a chorus of female chorus to add heft to the chorus. "Damn You Bubba" finds Adkins strutting his rotund "badonkadunk" persona over an over-the-top rocking romp. Another mendacious misstep is the guitar heavy radio targeted "Million Dollar View." Nevertheless, Adkins does step out of the box with the bluesy Joe Nichols-esque "Love Buzz" that boasts some skittering snare drums.
The deluxe version finds Adkins transforming from Mr. Sensitive to his old rowdy self again. Throw all your political correctness out the window with "It's a Woman's Thing" where Adkins has his fun with the peculiarities of women. And he gets even more audacious with Blake Shelton on the somehow silly "If I Was A Woman" where they imagined themselves as women and the kind of men they would date. These additional tracks are fun to listen but they are by no means indispensable. On the other hand, "Proud to be Me"--the album proper--is Adkins at his most personal best. Mature, sensitive, heartfelt yet without being maudlin, this is a disc to be cherished.