- Paperback: 360 pages
- Publisher: Citadel Press; New edition edition (Jun 1987)
- Language English
- ISBN-10: 0806501960
- ISBN-13: 978-0806501963
- Product Dimensions: 2.3 x 1.5 x 0.2 cm
- Amazon Bestsellers Rank: 2,119,940 in Books (See Top 100 in Books)
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Product Description
Product Description
Here, for the first time, the work of three of Frances greatest poets has been published in a single volume: the sensual and passionate glow of Charles Baudelaire, the desperate intensity and challenge of Arthur Rimbaud, and the absinthe-tinted symbolist songs of Paul Verlaine.
To bring the essence of these three giants of modern poetry to the American public, Joseph M. Bernstein, a noted interpreter and translator of French literature, has selected the most representative of their writings and presented them along with a biographical and critical introduction.
"Not to know these three poets", he points out, "is to deprive oneself of a pleasure as rare as it is indispensable to any real understanding of the aims and direction of modern literature.
The volume includes Arthur Symons' unabridged translation of Flowers of Evil and the Prose Poems of Baudelaire; Louise Varese's translation of Rimbaud's A Season in Hell and Prose Poems from "Illuminations"; J. Norman Cameron's translation of the verse from the Illuminations; and a representative selection from Verlaine's verse translated by Gertrude Hall and Arthur Symons.
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STINGINESS, SIN, STUPIDITY, shall determine Read the first page
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7 reviews
11 of 13 people found the following review helpful
The tragic, dark side of the "sweet science".
8 Sep 1997
Format:Hardcover
"Palookaville" was never like this. Nigel Collins' Boxing Babylon belongs in the hands of anyone who has ever doubted the price one pays by dueling in the 'prize' ring. From Sonny Liston's mob ties to Joe Louis' paranoid delusions to the downfall of one-time contender Tony Ayala, "Boxing Babylon" bluntly showcases the greed, emotional and physical ruin that permeates professional boxing and has led to its evolution as a freakish sideshow. Collins reminds us that for every Muhammad Ali, Evander Holyfield and Ray Leonard there are far too many Kid McCoys, Carlos Monzons and, yes, Mike Tysons.
Collins, a boxing writer and former editor for Ring Magazine (the so-called "bible" of the sport) is a fan who loves his sport enough to expose the seamy underside too often ignored. The fixing of bouts, the murderous rages that go unchecked once the fighter leaves the ring, as well as the ultimate sacrifice-the boxer's death in the ring--are dealt with honestly and without hidden agendas. If you've ever paid fifty bucks on pay-per-view travesties, watched 'tomato cans' roll over for young contenders on ESPN, boxed yourself or simply enjoy tales of courage and nobility too often wasted, you will learn much about your heroes and yourself as fan and witness
Collins, a boxing writer and former editor for Ring Magazine (the so-called "bible" of the sport) is a fan who loves his sport enough to expose the seamy underside too often ignored. The fixing of bouts, the murderous rages that go unchecked once the fighter leaves the ring, as well as the ultimate sacrifice-the boxer's death in the ring--are dealt with honestly and without hidden agendas. If you've ever paid fifty bucks on pay-per-view travesties, watched 'tomato cans' roll over for young contenders on ESPN, boxed yourself or simply enjoy tales of courage and nobility too often wasted, you will learn much about your heroes and yourself as fan and witness
5 of 7 people found the following review helpful
Symbolist Poets Highlighted in Tight Volume
16 Nov 2007
Format:Paperback
"Baudelaire Rimbaud Verlaine: Selected Verse and Prose Poems" carries with it a strong selection of each poet's better known poems. Collecting these three, specifically, is in tune with their own sense of language and image.
The translations work splendidly for all three poets, as executed by several different translators. As such, the pieces chosen are encumbered or glorified by their own merit, and not of the hurdles and interpretative biases of language.
I first learned of Arthur Rimbaud, ironically, from my religion teacher at a Catholic high school. As the first French poet I was introduced I felt, then, obligated to like his work. However, now, in seeing him compared to the much greater Baudelaire, Rimbaud comes across self-indulgent and meaningless. I gain no pleasure from reading his work, and consider, of these three, him to be far overrated.
Paul Verlaine, for me, is somewhere in-between. His romance with Rimbaud (scandalous then, as he dumped his infant daughter and young wife for Rimbaud) luckily did not reduce his poetry to wandering colors and images. Occasionally, he is even cliche:
Oh, heavy, heavy my despair
Because, because of One so fair.
(from Verlaine's "Oh, Heavy, Heavy")
And occasionally brilliant:
Hills and fences hurry by
Blent in greenish-rosy flight,
And the yellow carriage-light
Blurs all to the half-shut eye
(from Verlaine's "Brussels")
Baudelaire's prose poem selections are too many here. They do not meet up in quality with his more tightly articulated poetry. The section, "Flowers of Evil," though, is a masterful, though bitter, book within a book.
Throughout "Flowers," Baudelaire defies God, but never denies his existence or power, as seen here in "St Peter's Denial,"
What has God done with all this flood of sacrifices?
Which rises to his Seraphim divine?
As a tyrant intoxicated with his wine
His fearful sleep is haunted by his vices.
I fully recommend "Baudelaire Rimbaud Verlaine: Selected Verse and Prose Poems." While I cannot so I am an exuberant fan of any of them, their influence on poets I completely embrace I acknowledge, and am pleased to have become better aware of them.
Anthony Trendl
HungarianBookstore.com
The translations work splendidly for all three poets, as executed by several different translators. As such, the pieces chosen are encumbered or glorified by their own merit, and not of the hurdles and interpretative biases of language.
I first learned of Arthur Rimbaud, ironically, from my religion teacher at a Catholic high school. As the first French poet I was introduced I felt, then, obligated to like his work. However, now, in seeing him compared to the much greater Baudelaire, Rimbaud comes across self-indulgent and meaningless. I gain no pleasure from reading his work, and consider, of these three, him to be far overrated.
Paul Verlaine, for me, is somewhere in-between. His romance with Rimbaud (scandalous then, as he dumped his infant daughter and young wife for Rimbaud) luckily did not reduce his poetry to wandering colors and images. Occasionally, he is even cliche:
Oh, heavy, heavy my despair
Because, because of One so fair.
(from Verlaine's "Oh, Heavy, Heavy")
And occasionally brilliant:
Hills and fences hurry by
Blent in greenish-rosy flight,
And the yellow carriage-light
Blurs all to the half-shut eye
(from Verlaine's "Brussels")
Baudelaire's prose poem selections are too many here. They do not meet up in quality with his more tightly articulated poetry. The section, "Flowers of Evil," though, is a masterful, though bitter, book within a book.
Throughout "Flowers," Baudelaire defies God, but never denies his existence or power, as seen here in "St Peter's Denial,"
What has God done with all this flood of sacrifices?
Which rises to his Seraphim divine?
As a tyrant intoxicated with his wine
His fearful sleep is haunted by his vices.
I fully recommend "Baudelaire Rimbaud Verlaine: Selected Verse and Prose Poems." While I cannot so I am an exuberant fan of any of them, their influence on poets I completely embrace I acknowledge, and am pleased to have become better aware of them.
Anthony Trendl
HungarianBookstore.com
A fun quick read.
31 Oct 2010
Format:Hardcover|Amazon Verified Purchase
This was a well written book by a man who knows his boxing. A quick easy read for fans of the sweet science.
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