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But without doubt the best track on the album & dare i say of the year is Breathing Light. An incredible tune which does not overplay its Mandela roots, whilst working its simple beat throughout. Worth buying if only for this.
In my jaded opinion the album doesnt quite match Beyond Skin - but maybe i haven't given it the attention it deserves. But copying my favourite 2 tracks to MD is probably the curse i have put on the album.
Not so much a Prophesy, as a Progression.
To start with I didn't get it and thought the album was a unflowing mishmash (to paraphrase other reviewers) after all. However, after repeated listenings it all started to make sense and now I think it is fabulous. Highlights for me Moonrise, Breathing Light and Prophesy but there is not a bad track on the album although I'm not really into the rap-metal track.
Overall the "fusion" of the music on this album is brilliant and to put these various influences together is such a way is just staggering. It does flow and it is not a mish mash once your brain understands it. Unfortunately some people just don't have the attention span to allow that to happen.
Overall it also gives a wonderful feel of listening to great music mixed by a good dj in a pre-club bar with the tracks well mixed and balanced.
No, what still grates and prevents me from loving every moment of the record is the new stuff. Whereas the theme of Beyond Skin (nuclear proliferation and the threat of an atomic apocalypse) was well presented by quotes interacting excellently with the mood-piece songs, the theme of this album (the evils of technology) holds together less well (how on earth did he record the album, then?) and we are stuck listening to Street Guru, parts 1 and -God help us!- 2, in which an anonymous New York cab driver witters on about the joys of multiculturalism and the hope that we don't rely on technology too much in a stream of vague platitudes. A further track, 'Developed', has a similar format with an Australian Aborigine but is hardly as objectionable because he doesn't labour his point as much.
These tracks get in the way and break up some of Nitin's finest playing and mixing to date. I would just urge him to stick to genuinely affecting modern music with a political edge and to stop lecturing me. Nonetheless, a great record.
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