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Olivia, an American-born model, married Count Ugo Brunamonti, a feckless, soon impoverished aristocrat. After his death, she supported her children by starting a fashion house, which has prospered. When she is kidnapped, the crime is reported to Marshal Guarnaccia by her daughter, who may have been the intended victim.
Kidnapping is almost a second business for the Sardinians nominally engaged in raising sheep in the Tuscan hills. They inhabit a vast wilderness where a victim can be hidden away forever, and where those searching for her will be quickly spotted. The government's official policy is not to permit the payment of ransom. But if the money isn't paid, the kidnappers cannot let their victim go free. It would set a bad example. In this case, Guarnaccia suspects another problem. Can it be that Olivia's children are unwilling to pay the ransom? Is this more than a random crime?
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"Property of Blood" represents a change for Nabb in that great chunks of this book are written as if in the first person, by a woman who has been kidnapped. I couldn't help but ponder whether Nabb herself had spent time with victims of this all too common Italian crime: the accounts of the Italianized-American fasion maven's plight are chilling. Nabb really gets inside her soul.
The tale is a page turner despite the fact that there are some things the reader knows right from the start. Those who are familiar with Nabb's work will recognize the intricate misunderstandings that The Marshall encounters because he, as usual, fails to acknowledge his own gifts and the esteem in which he is held by his colleagues.
Here, too, we meet the family dynamic of the Marshall's own relatives contrasted with that of the victim's family in the characteristic manner that is so revealing of modern Italian life.
Nabb is amazing and this may be her best yet. If you haven't read the rest of this remarkable writer's work, you are in for a real treat of both character development (start at the beginning of The Marshall's career) and excellence of story crafting.
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