In some ways, this may well be my favourite Renaissance album, principally because the music is consistently good throughout, and there are none of the weaker tracks which began to crop up as 'filler' in later albums. The tracks vary in style from progressive rock to almost a 'pop' sound, with exciting classical influences amongst the longer, more serious numbers.
The title track is a weighty and atmospheric opener, piano-driven, with influences from Bach amongst others, and Haslam's wordless vocal arcing over it all. The two longest tracks, 'Kiev' and 'Rajah Khan',are among the most powerful and memorable: the Russian influence is haunting, with echoes of Rachmaninov and Camp's thoughtful lyric, while the Eastern atmosphere of the latter has tablas, synthesiser, and Haslam's oriental vocalise. 'Sounds of the Sea' makes superb use of taped sounds (waves & gulls) married to Haslam's beautifully pure tones, to create a memorably arresting piece. Finally, 'Spare some love' and 'Bound for Infinity' are in a lighter vein, with simpler melody lines, given a touch of class by Haslam's effortless purity of voice. A lovely album throughout.