- Paperback: 454 pages
- Publisher: Nick Hern Books; New Ed edition (11 Jan 2007)
- Language English
- ISBN-10: 1854599437
- ISBN-13: 978-1854599438
- Product Dimensions: 23 x 15.6 x 2.8 cm
- Amazon Bestsellers Rank: 442,231 in Books (See Top 100 in Books)
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Review
The real Tynan is contained in this collection of 50 profiles and theatre criticism... dazzling... top marks go to those who treat conversation as another chance to perform --Guardian
Product Description
50 of Kenneth Tynan's profiles of many of the most significant performers and writers of his day, including actors such as Garbo, Bogart, Cagney, Olivier and Gielgud; the directors George Cukor, Peter Brook and Joan Littlewood; writers such as Bertolt Brecht, Arthur Miller and Tennessee Williams; and comedians as diverse as Mel Brooks, Eric Morecambe, W.C. Fields and Lenny Bruce.
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3 reviews
16 of 16 people found the following review helpful
THE BEST WRITER ON THE ART OF THEATRE
1 May 2001
Format:Paperback
Just as James Agee (deceased) and Pauline Kael (alive, but retired) remain the best writers on the Art of Film, so Kenneth Tynan (again, deceased) is still the best writer on the Art of Theatre. Tynan wrote so beautifully and wittily and lovingly about the stage and the people who inhabit it and he was also responsible in a major way for the success of the National Theatre of Great Britain along with his friend and professional partner, Laurence Olivier. (an essay on Olivier is one of the high-points of this book.) It was Tynan who "discovered" Harold Pinter, who "made the career" of John Osbourne and was a major factor in reviving the career of Noel Coward, after years of neglect: as Literary Manager of the National, it was Tynan who urged a revival of Coward's classic "Hay Fever."
This collection of 50 essays is absolutely essential reading for anyone who has a love of theatre or simply of celebrity and star power. No one writing today writes as well as Tynan did nor consistently shows his affection for Show Business. If you regularly read today's so-called critics, you come away with the feeling that they become INSULTED that plays they dislike were actually produced!
I highly recommend this book. It is passionate, charming and, at times, really funny stuff. But, please, do yourself a favor and haunt every used book shop you know to find a copy of Tynan's out-of-print collected theatre reviews from the U.S. (he wrote for "The New Yorker") and England called CURTAINS. It is absolutely the best book of criticism you'll ever read.
10 of 11 people found the following review helpful
Fireworks galore!
26 Aug 1999
Format:Paperback
Tynan was one of the century's great journalists, capable of capturing a performer in two paragraphs, yet equally adept at longer essays, several of which are collected here. The pieces on Stoppard and Louise Brooks are particularly fine. The reviewer below is right: the writing is to die for; but, compared to Epstein, Tynan is a super-hevyweight, with ten times the force and prose-potency.
7 of 8 people found the following review helpful
Brilliant and funny
14 Jun 1999
Format:Paperback
Enormously entertaining and the writing is to die for. Epstein regards Tynan as a lightweight and in a way I guess he is, but a skilled lightweight is still a thing of beauty and Tynan IS skilled. I stared underlining favorite passages but had to stop because I was underlining almost everything.
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