Private Life of Sherlock Holmes [DVD] [1970] [Region 1] [US Import] [NTSC]

This film is a cult classic and well deserving of that status. It's one of my favourite films and for YEARS we were promised the excised footage would be replaced and we could finally see this marvellous film in the form Billy Wilder meant it to be. Well, I am sure like all fans of the film, we waited with hope that NOW they would include all these scenes. And while the film transfer is great and I was sad to see there is NO footage to speak of to be added. There are snippets of film of other adventures, smoke stills flashed over a poor soundtrack, but according to MGM there is no extra scenes, they have been lost.

WHAT A DISAPPOINTMENT!

The film is still a must for Billy Wilder, Robert Stephens, Chris Lee or Sherlock Holmes Fans. But just do not expect all the lost footage to be restored.

It is a very very funny look at Holmes, a more human look perhaps. This is a mirthful look at the adventures of Sherlock Holmes, lovingly portrayed with a twinkle in his eye by the late great Sir Robert Stephens. The adventures are fun (the ones we see) but mainly centre around a woman's missing husband. Toss in several hundred canaries, the Loch Ness Monster, missing midgets - the Tumbling Pickaloes to be precise - the mysterious red runner, Queen Victoria, some Trappist monks, an ageing ballerina that does not 'look 39' - that is because she is 49!! -who wants Holmes to father her child and an amnesiac damsel in distress that temps Holmes, all done with the best British wit and droll sense of humour...and you have a mix that cannot miss.

Incisive writing and direction, this fill pay homage to Holmes and Watson, with tongue firmly planted in cheek...

Even so, the currently version is a true gem, and so overlooked,
all we have left of Billy Wilder genius vision.

This film is sometimes described as a comedy, and while it has humourous bits (a more sardonic and biting form of humour most of the time), it has never really felt at home being classified as a comedy, in my estimation. I do like the rapid-fire wit that Holmes seems to have here (a bit more in abundance than in the canonical Conan Doyle stories), but the Holmes presented here is a bit more dark and brooding, more akin to the extra-canonical 'Seven Percent Solution' Holmes in many ways.

Wilder was an extraordinary director and genius who sometimes gets carried away with his subject (in this regard, he is sometimes compared with Stanley Kubrick). His films are often of epic-proportions, even though they are not essentially 'epic' subjects. This film is reputed to have been nearly twice as long as the final cut version, but this tale may be apocryphal in that the raw footage every made it to final print and production. The restoration available on this disc is, in fact, rather minimal - a few scenes and a few extras, but not much more than the original release of the film. This is disappointing to many fans, but in fact is more than most of us have had for a long time, as the somewhat choppy film was often mercilessly cut for television broadcast.

Holmes in this case is played by Robert Stephens, an unlikely Holmes in comparison to standards such as Rathbone, Brett, or Gillette, but still an interesting choice - quintessentially British, reserved but daring, brilliant yet flawed and faltering. Colin Blakely presents a stronger Watson than often portrayed before (this film, being made in 1970, presented this as a newer idea for Watson, one that has been picked up by many subsequent productions). Wilder has the actors play at various issues of Victorian sensibility and morality, including the implication (dismissed in the end) that Holmes might have a sexual identity issue. Christopher Lee, who himself plays Holmes in other productions, plays Holmes' smarter brother Mycroft here, to good effect.

The story line does have some inspiration from the canonical stories (the Bruce-Partington Plans, for one), and from Gillette's play (the strange case of Miss Faulkner, introducing an ending that allowed for a love interest for Holmes in the end), but for the most part takes the characters from Conan Doyle and runs far afield. Still, this is must-see film for any fan of Holmes, and any fan of Wilder, who saw this as one of his last great productions.

From the maker of The Apartment and Some Like It Hot, a film about Sherlock Holmes might seem a strange project. But Billy Wilder not only gave us the best of the post-Basil Rathbone movies about the Baker Street sleuth, he came close to making his best film ever. He might have succeeded but for the old story of studio interference. By all accounts, the film was originally intended to consist of four interwoven stories. But fears about excessive running time reduced that to two with one of them being more a diversion than a subplot. Even so, what remains is a thoroughly enjoyable experience filled with memorable performances, droll dialogue, atmospheric visuals and a brilliantly evocative musical score.

Miklos Rozsa's music is an integral part of the film. Primarily a reworking of the composer's Violin Concerto, Wilder reportedly loved the music so music that he constructed entire sequences to fit the music, rather than the other way around. And what music it is. The melody for solo violin taken from the concerto's second movement - which might, in another film, be called the love theme - is among the best and most beautiful music Rozsa ever wrote and adds immeasurably to the film's style and feel.

Even more important, of course, are the performances by Wilder's carefully assembled cast. As Sherlock Holmes, Robert Stephens is deliciously camp - even his makeup is more theatrical than cinematic. At first, he seems to be overdoing it, but it soon becomes apparent just how perfectly his performance suits - and dictates - the mood of the piece. Hardly a star name (Stephens was primarily a stage actor) it was probably a risk to cast him, but a risk that paid off with fantastic results. You will not forget Robert Stephen's Sherlock Holmes in a hurry.

Not content with a dazzling lead performance, Wilder surrounds Stephens with a solid supporting cast. Colin Blakeley is a perfect counterpoint as Dr Watson - more exasperated than bumbling, full of a medical man's common sense. As the woman who comes into Holmes's life, Genevieve Page is even more ravishing than usual, yet always makes the various shifts in her character totally believable. Christopher Lee cuts an imposing figure as Sherlock's smarter brother Mycroft, while the great Irene Handl fusses and sighes effectively as Holmes's landlady Mrs Hudson. Clive Revill provides a comic Russian while Stanley Holloway pops up as a gravedigger (just as he did in Olivier's Hamlet).

The complicated plot, which takes Holmes from London to Loch Ness, not only provides him the opportunity to (possibly) fall in love but also manages to squeeze in Russian ballerinas, German spies, circus dwarves, Trappist monks, Queen Victoria, an early submarine, and a certain Scottish monster. It's a hard film to take too seriously but, luckily, Wilder obviously had no intention of being overly serious. Conan Doyle purists will no doubt find much in the film to shake their heads about. But lovers of imaginative and witty films will revel in The Private Life Of Sherlock Holmes.