- Paperback: 448 pages
- Publisher: Farrar Straus Giroux; Reprint edition (Feb 2002)
- Language English
- ISBN-10: 0374527180
- ISBN-13: 978-0374527181
- Product Dimensions: 21.4 x 14 x 3.8 cm
- Amazon Bestsellers Rank: 5,361,796 in Books (See Top 100 in Books)
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Yes, the book is "exhaustive" but never is it boring. Every profile of African-American actors on the tube is carefully detailed and extensively covered, with little asides that make for intriguing reading. To this reader, it is clear that Bogle feels that there have been significant improvements in the representation of Blacks on television, but there are still some significant inroads, in front of and behind the camera, that need to be made. By covering as thoroughly as he has the entirety of those African-American pioneers and trendsetters, the author satisfies those that have longed to see such a mammoth undertaking published.
I, for one, savor the profiles of such underrated performers as Rosalind Cash, Joe Morton, Shirley Hemphill, Juano Hernandez, James Edwards, and a slew of others that labored with many less-than-distinguished parts and managed to create something memorable. It is further refreshing to see the author give the backgrounds of the more familiar African-American superstars like Bill Cosby, Cicely Tyson, and Diahann Carroll.
While I do not particularly care for the programs that have a "monochromatic cast" (Friends, Martin, and the various UPN "black-block" shows), I understand and appreciate Bogle's belief that television shows have a responsibility to inform and present a realistic portrayal of society, be that program a sitcom or a drama.
It is true that television is primarily entertainment; however, in that entertainment, thought-provoking writing and occasional commentary on society is warranted. That is one of Bogle's premises that he eloquently expresses.
This is a top-notch historical/editorial reference that makes for great reading and a worthwhile addition to the library of any fan of the "boob tube."
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