Review
Durham's novel is the story of Hannibal, commander of the Carthaginians, the main adversaries of Rome in the Second Punic War (3rd century BC), whose destruction led directly to the triumph of the Roman Empire. It's a magnificent and dauntingly complicated subject, well brought to life by Durham, whose previous books, like this one, deal with racial as well as historical conflicts (in this case: African Carthage v. European Rome). He's done a remarkably good job in re-imagining a culture whose historical records were all but wiped out. The figure of the hero comes over vividly: Hannibal is fighting against an incipient Empire already swallowing up its smaller neighbours ('It is Rome's actions I hate. It is the way Rome seeks to make slaves of all the world'). The plot is well-paced, with some gripping battles, and a well-drilled and enormously varied cast of characters. But here the book does fall down a little: historical novels written in the third person don't tend to succeed as well as those narrated by their own heroes, perhaps because there is simply so much more for the author to imagine and describe. The Rome of I Claudius comes alive with such lurid intensity because we follow all the book's unspeakable events from the appalled perspective of its Emperor. Instead, Durham attempts the method of Mary Renault's wonderful Alexander Trilogy, whose action is reflected through the eyes of minor characters depicted with almost Shakespearean vividness. But here we see everyone, from Scipio and Hannibal to footsoldiers and senators, through a veil of slightly-past-its-sell-by language, which you can't imagine anyone actually saying: (from a conversation between Hannibal and his wife: 'As ever, Imilce, I feel the nagging of neglect.' 'What can you tell me of the campaign?' But one shouldn't overestimate this side of the book - as an old-fashioned historical yarn, it could hardly be bettered. (Kirkus UK)
Product Description
There is a Latin saying, 'Hannibal ad Portas'(Hannibal is at the door) and it was said Roman parents used it to threaten their misbehaving children: if a child was bad, the parent would tell them that Hannibal was coming for them - the modern equivalent is the 'bogeyman'. Such was the fear Hannibal Barca instilled in mighty Rome...A panoramic novel, told in arcing, epic technicolour, of the story of one of the ancient world's most celebrated figures and the Second Punic War (218-202BC) - a long, bloody conflict between the two 'super powers' of the times that hinged on the genius, the ambition and the personal tragedies of two towering individuals: Hannibal Barca of Carthage, whose military genius became the stuff of legend, and Publius Scipio of Rome. History, of course, records us the outcome - that Rome would be the victor, surviving to become the colossal Empire we know of, while Carthage was burned to the ground and all but erased from history. But it was a close run thing and the world might have been a very different place had Hannibal succeeded in stifling the might of Rome. PRIDE OF CARTHAGE is an epic, sweeping, thrilling story of ancient warfare, of armies traversing frozen snow-covered mountains, of battles won or lost by brilliant generals fighting in ingenious, cunning ways, of a time when elephants were employed in much the same way as we now use tanks. And it's a novel teeming with superbly drawn, memorable characters and multi-national players, both historical and imagined - from the Numidian horsemen of North Africa to the naked, sword-swinging Celts of Northern Spain, from the ranks of Roman legions to slaves and freemen of all colours and from all corners of the ancient Mediterranean world.
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