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Preparations [Box set]

Prefuse 73 Audio CD
3.3 out of 5 stars  See all reviews (3 customer reviews)
Price: £8.70 & FREE Delivery in the UK on orders over £10. Details
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Music

Image of album by Prefuse 73

Photos

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Biography

Guillermo Scott Herren aka Prefuse 73 is set to release his first album in nearly two years, Everything She Touched Turned Ampexian, available worldwide April 14, 2009 on Warp Records. The album will be available in CD and digital formats. Ampexian's first single, "Preparations Kids Choir" will also be available of the forthcoming EP, The Forest of Oversensitivity, due out Summer ... Read more in Amazon's Prefuse 73 Store

Visit Amazon's Prefuse 73 Store
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Frequently Bought Together

Preparations + Surrounded By Silence
Price For Both: £16.69

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Product details

  • Audio CD (15 Oct 2007)
  • Number of Discs: 2
  • Format: Box set
  • Label: Warp
  • ASIN: B000VGSQA4
  • Other Editions: Audio CD  |  Vinyl
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 272,751 in Music (See Top 100 in Music)

Disc: 1
1. From The East Intro
2. Beaten Thursdays
3. Aborted Hugs
4. The Class Of 73 Bells
5. Girlfriend Boyfriend
6. Smoking Red - John Stanier
7. Prog Version Slowly Crushed
8. Noreaster Cheer
9. Let It Ring
10. 17 Seconds Interlude
See all 14 tracks on this disc
Disc: 2
1. For Her Non-Place
2. Preparation One
3. Thorough Light
4. Spacious And Dissonant Part 2
5. Pitu
6. Preparation Two
7. Over Ensembles
8. The Last
9. Sunbeamstress
10. Humidity Interlude
See all 15 tracks on this disc

Product Description

I will ship by EMS or SAL items in stock in Japan. It is approximately 7-14days on delivery date. You wholeheartedly support customers as satisfactory. Thank you for you seeing it.

Customer Reviews

3.3 out of 5 stars
3.3 out of 5 stars
Most Helpful Customer Reviews
3 of 3 people found the following review helpful
4.0 out of 5 stars Boundless experimentation 29 July 2011
Format:Audio CD
I thought I'd do a quick review of this album given that the one-star review below is undoubtedly putting numerous people off.

This was the first album I heard by Prefuse 73. Although I've heard all of his others since, I find them lacking in any real substance and this is still the record I come back to again and again. It's nice to find here a real mix of track lengths. All too often, Prefuse 73 will present ideas, never developing anything. With longer tracks, he really works with the (extremely cleverly chosen) material. Brief and skittering samples come back again and again, giving you a chance to absorb them and enjoy their sheer madness.

I had never, before this album, heard anything so unabashedly insane. Samples are stitched together in such a surprising and pleasing way that you can't help but be fascinated. Perhaps for more experienced listeners this could sound like a predictable essay in modern glitchy electronic production, but not for me. 'School of Seven Bells' brief appearance is a highlight.

Having now ventured much further into the wealth of intelligent electronic music around, I still very much love this album and thoroughly recommend it. I personally don't understand why this seems to be his least popular album when it seems to me to be the easiest listen (comparatively). I would certainly say this is a good starting point for anyone wanting to discover the joy and abandon of Prefuse 73's music. It's also great to hear some of the raw string arrangements he came up with before cutting them up (on the bonus disc).
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0 of 1 people found the following review helpful
1.0 out of 5 stars Same As It Ever Was - Tired Second Hand Sounds 5 May 2009
Format:Audio CD
This is not very good, especially when compared to earlier releases by the artist. The problem is the production. To be honest, it sounds rushed, creatively there is not much there, the glitches and bleeps sound pointless and pretentious. Overall, it suffers from a lack of ideas and feels like it is going through the motions. I think Prefuse 73 (Scott Herren) as become a biter of himself,there are far better and interesting producers doing 'postmodern' hip hop - ad bourke, flying lotus, lukid, Harmonic 313, edIT and Lone to name a few.
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5.0 out of 5 stars Five Stars 12 Feb 2014
By Cesar
Format:Audio CD|Verified Purchase
I love it.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.5 out of 5 stars  4 reviews
10 of 11 people found the following review helpful
3.0 out of 5 stars Preparations 24 Jan 2008
By Mike Newmark - Published on Amazon.com
Format:Audio CD
Genius in popular music usually isn't recognized until long after it debuts, but Prefuse 73's 2003 sophomore effort, One Word Extinguisher, is an album that many of us will be talking about to our grandchildren. When Prefuse (né Guillermo Scott Herren) sat down to work on his first release, Vocal Studies + Uprock Narratives, he must have looked at b-boy hip-hop sitting on one side of his worktable and Warp-style IDM on the other, uttered "no regrets," and started smashing them together like a young scientist in a moment of temporary insanity. If Vocal Studies set the stage for "glitch-hop" as a genre and spawned a raft of Prefuse soundalikes, One Word Extinguisher left all of his imitators in the dust with wild and colorful flair, inimitable grooves and a surprising emotional undercurrent. Extinguished: Outtakes--vignettes from the O.W.E. sessions, and a solid album in its own right--only upped the profile of One Word Extinguisher, the monumental importance of which we realized only after we quit bobbing our heads.

The "Prefuse 73 Can Do No Wrong Era" was quickly followed by the "Era In Which Prefuse 73 Started to Suck," when 2005's Surrounded by Silence floundered under mixed reviews and confused fan reactions. Most chalked it up to the excess of guest artists and forgave him. 2006's Security Screenings--which Herren called a "non-album"--was a tossed-off effort whose only conceivable purpose was to give Herren something to do in between side projects, and many were willing to treat it as a stopgap and forgive him for that, too. Now it's 2007, Herren's run out of excuses, and we have a new Prefuse record called Preparations (which includes a full-length bonus disc of new material called Interregnums). If you're like me, you ordered your copy of Preparations two weeks in advance, eagerly waited for it to arrive in the mail, opened the plastic wrap, popped Preparations into the disc drive, prayed for the "Era In Which Prefuse 73 Finally Redeems Himself," pressed play, and....

Well, I'll just burst the bubble now: Preparations isn't very good. Yet it fails so strangely that anyone who cares about Prefuse's career would have trouble dismissing it outright. Neither an unholy mess like Surrounded nor a half-baked EP in disguise like Screenings, Preparations is a peculiar combinination of basic Prefuse boom bap (albeit with less boom and bap), bizarre melodic passages, ill-fitted samples and unfortunate collaborations. Herren's greatest strength has always been creating euphony from heterogeneous parts, so Preparations' inability to jell on a number of levels could be considered its cardinal weakness, and it makes the ordeal a slog even at a brief 46 minutes.

This being Prefuse 73, the productions are appropriately busy and labored-over, and if Machine Drum were to release something this intricate, we'd throw him a party. But held up to what we know Prefuse is capable of, a song like "Beaten Thursdays" sounds pretty lame, with microwave-zapped bell tones and a bassless beat that amble toward an anticlimactic finish. The stronger songs here are amorphous, forgettable blobs of gauzy synths and vocal "oohs" and "ahhs," like most of Leyode's Fascinating Tininess executed with far less passion. But even these songs contain at least one unsavory shard that jolts us out of what little reverie we might be in. In "Noreaster Cheer," it's a death metal stomp in the midsection; in "Pomade Suite Version One," it's a set of dumb samples at the beginning of the track that didn't make me want to listen to the rest.

Such is the manner in which awkward moments nudge up against bland ones on Preparations. Unfortunately, whole songs are awkward too. Are those discordant plucked strings on "Aborted Hugs" for real? What on Earth is that circus-themed honking on "Spaced + Dissonant"? Sadly, "The Class of 73 Bells" and "Smoking Red" prove that Herren hasn't gotten better at assimilating guest artists since Surrounded by Silence. School of Seven Bells' singer Claudia Dehaza once collaborated with Herren on a wonderful and exotic project called A Cloud Mireya. I had hoped that "The Class of 73 Bells" would recreate some Cloud Mireya magic, but no; it simply sits there in a key too tepid for poor Ms. Dehaza to work with. And "Smoking Red" is just a buzzy showcase for John Stainer's cinderblock-heavy drum line--the first one I learned to play in middle school.

The bonus disc, Interregnums, should come as a surprise, since it doesn't conform at all to Prefuse 73 proper. The other surprise is that it's lovely (and if you're wondering how Preparations managed to drag itself up to three stars, look no further); synths, orchestral instruments and angelic voices move around each other in beatless reverie, always flagrantly emotional and covering a startling range of feelings. So, it seems, this is where Herren's heart now resides. In interviews he reveals a growing distaste for hip-hop, and pours increasingly more energy into his esoteric, Catalan-flavored project Savath y Savalas--a band that listeners have never clung to with the fervidness they save for Prefuse 73. So perhaps Herren hasn't lost his genius--just his interest. At the very least, Preparations will impel us to approach One Word Extinguisher and the rest of his early successes with more appreciative ears.
3 of 3 people found the following review helpful
3.0 out of 5 stars a step in the right direction? 3.5 out of 5 16 Jan 2008
By Alexander R. Neild - Published on Amazon.com
Format:Audio CD
Prefuse 73 is a very great artist, theres no denying it. And furthermore, a unique one at that. So unique to me, that he stands in a class of his own. No one really sounds like him, some sound similar, but not the same by any means. I rank him up there with RJD2 and DJ Krush/Shadow as a turntablist(although he is more an IDM producer who likes hip hop). His first album "Vocal studies" is an absolute stonker of a classic(and a Debut!). Definetly one of the best works by any experimentalist DJ in recent years. Then "One Word..." came out and he really followed it up well. It wasn't as unique, because we had already been introduced to his style, but it built on it.

73 has a knack... for doing this one thing... no one else can do(like him). Cutting together bits and peices of the singer's voices and create beats and music from them. He's incredible at it, and until you hear him do it, you won't understand what I mean. And he does it o so subtly as well! He creates flowing backround beats that at closer attention are really just cut up glitched voices mixed with all sorts of synths and drums. His first two album were really founded upon with this unique style. So as all things go... it just got old.

He made some decent but entirely forgettable hip-hop albums that contained almost all singing and no instrumentals. So it seemed basically the end of an era for him and it seemed to me he was just gonna become another hasbeen producer like RJD2(The third hand) and DJ Shadow(The outsider).

Then this CD came out. And no, it didn't bring back his old sound with avengence... but he manged to do something different. His music is still very Hip-Hop oriented, and he still incorporates his old sound some, but now he has done what many famous producers have done before him, create "a wall of sound". So textured everything just blends together into one pulsing synth. He's entroduced Pianos and strings, and his sound is more fleshed out and much lusher. And its now evident that he can be a very good producer, but still a unique one at that. But as the CD goes on It does start to get older and older... Some tracks become repetetive and some just aren't that good. But the good ones outweigh the bad. His single, CLASS OF 73 BELLS is quite good. Like I stated earlier a thick wall of sound production with his glitchery inside. Quite good... then you have one of the most unqiue tracks i've ever heard GIRLFRIEND BOYFRIEND. Its dense layers are constantly shifting so much as you don't really know what layer of music is the dominant one, and they are all very different sounding.

Overall, not a unique CD but an interesting one to say the least. His bonus CD is also a wonderful Ambient disc. Though beware, it's not downtempo, its even more minimal than that. Very sparse strings and bass notes and thats about it.

Overall more like a 3.5 out of 5 for Preparations and a 4 out of 5 for Interregnums. But I think this is Prefuse definetly heading back in the right direction!
4 of 8 people found the following review helpful
4.0 out of 5 stars Back to Basics 31 Oct 2007
By WillZigga - Published on Amazon.com
Format:Audio CD
I really dig Prefuse 73. I started with 92 Vs. 02 Collection and Vocal Studies, and then moved on to One Word and Extinguished. Security Screenings didn't do it for me; the melodies just weren't there. This album sounds more like One Word Extinguisher, Extinguished, and '92 vs '02. If you liked those albums, you will enjoy this one. Standout tracks for me are Class of 73 Bells, Prog Version Slowly Crushed, and Let It Ring.
2 of 5 people found the following review helpful
4.0 out of 5 stars Preparations- disappointing; interregnums - interesting 10 Nov 2007
By M. B. Lewandoski - Published on Amazon.com
Format:Audio CD
I like Prefuse73 for his moving and fast-moving sound collages. This new set is rather static and gets a little boring after a while: a big disappointment. Hwoever, 4 stars for the bonus Interregnums CD - interesting new music.

Although watch out for the CD-slip-out. The two CDs are not held at all in the jewel case and will slip out easily. Why not use cardboard?
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