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Product details
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Track Listings
| 1. Someone I Care About |
| 2. Dance With Me |
| 3. She Cracked |
| 4. Hospital |
| 5. Womanhood |
| 6. Dignified and Old |
| 7. Girlfriend |
| 8. Foggy Notion |
| 9. Ride On Down The Highway |
| 10. Pablo Picasso |
| 11. A Plea for Tenderness |
| 12. Walk Up The Street |
| 13. Fly Into The Mystery |
| 14. I'm Straight |
| 15. The Mixer (Men and Women Together) |
| 16. Don't Let Our Youth Go To Waste |
| 17. Roadrunner |
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Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Audio CD
Though this is almost certainly not the best or most together show The (original) Modern Lovers ever performed, it has enough ramshackle charm and energy to keep you hooked throughout. The recording quality is extremely good, all considered, and whatever is lacking in audio fidelity is more than made up for in ambience. Anyone familiar with the Modern Lovers story knows there is probably no definitive record of that band; all we have left are a handful of fragments, the rest is lost to time. Each of those fragments bristles with what makes anything great: heart, soul, real feeling and a love of life. This release contains several Lovers tunes unavailable elsewhere, such as 'Ride On Down The Highway' (for my money their most perfect encapsulation of the bands ethos) and the stunning 'A Plea For Tenderness'. Fans should note, just to make things difficult, the Fan Club label also issued a version of this album, deleting two tracks but adding four more. Argh!
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
10 reviews
5 of 5 people found the following review helpful
Essential stuff
4 Dec 2001
Format:Audio CD
If you believe, as I do, that the first Modern Lovers album was Jonathan Richman's creative watershed, this is an essential purchase. You can really hear how close their live sound was to the John Cale-produced "demos" that constituted their Beserkley debut. What makes this indispensible, however, is the inclusion of a handful of original songs that were never recorded, as well as Jonathan's inimitable stage patter. Added bonus: The great John Felice, the original 15-year-old Modern Lovers guitarist, is on several tracks. (Who's John Felice, you ask? Check out the 1977 debut album of his boss band the Real Kids, which is available thru Amazon.com. You won't regret it.)
7 of 8 people found the following review helpful
The absolute BEST you could get!
22 Nov 2003
Format:Audio CD
There is very little of the original Modern Lovers caught on tape out there, at least legally (I'm sure there are plenty of bootlegs floating around). Jonathan Richman and his great band are caught live at two venues, one at Harvard in 1971 and another in Berkeley in 1973, with the inclusion of a great song (Plea for Tenderness) from a Boston gig sometime in 1972(?). The record itself is absolutely essential if you are a Jonathan Richman fan or just looking for something different from the manufactured pop of today's "hit parade". Richman and company don't disappoint, and the record is a unique mixture of the original Lovers' sound.
First formed in the late Sixties when Jonathan Richman became infatuated with the Velvet Underground and started his own band, blending the influence of that band with his earlier love for Fifties-era rock. The result, The Modern Lovers, were together in their original format until 1974, and by the time their one album (really a collection of individual sessions which form a cohesive album) was released in 1976, the band backing Jonathan Richman had changed. Jonathan moved towards softer musical styles, and while this would provide some great music, the original band's sound was lost.
That's what makes this recording so great: here is the "rockin'" Modern Lovers captured in their primal heat, bringing down the house to a bemused audience who doesn't quite know what to make of them. One of the charms of the live shows is the way Jonathan and the band switch from heavy, fast songs like "Someone I Care About" to slower, low-key numbers like "Hospital" or "Girlfriend". The sound captured on this is pure fun and enjoyment, tempered with Jonathan's own hearbreak-fueled songs about girls who hang around in the Cezanne wing of the modern museums.
This is a gem of a record, worth seeking out if you wonder what all the fuss was about. If you have no idea who Jonathan Richman is, this will be a perfect intro. All in all, this along with the original album are perfect compliments to each other, and both illuminate how punk evolved. Get this first, then the album. You can't go wrong...
3 of 3 people found the following review helpful
Revealing as an artist's sketchbook...
29 April 2003
Format:Audio CD
If you already appreciate the unique genius represented by the original Modern Lover's Beserkly release then you will likely find this live collection very interesting and moving... but if you are new to the world of JoJo in general, or the Modern Lovers thang in specific, then this piece would not serve as a good entry point.
For one thing, the sound quality is "bootleg"... also, the song selection / running order leans heavily on slow, meandering sad stuff instead of the more upbeat, cutting/rock-edged stuff. This may turn off first-time or casual listeners... but there are definitely some very magic moments for those with patience and determination... you get some "unheard/unrecorded" songs including the phenomenal "the Mixer" which is easily on par with classics like "Roadrunner" and "She Cracked". Also, alternate lyrics for Roadrunner are interesting and the extended "patter" in-between songs really gives you some intense insight into where Jonathan Richman's head was at during this period.
The stand-out cut for me on this album though was the monumental version of "I'm Straight". During the spoken intro the pain and scars are so fresh that Jonathon sounds like he is seriously about to break into tears... the band unsteadily slids in behind him and things slowly build in intensity until we get to a point by the end of the song where all the microphones and recording gear overload heavily into the red-line as the whole band shrieks the refrain "I'M STRAIGHT!!" at the top of their lungs. I can't think of anything else in the history of recorded music that compares with the emotional intensity of this track... well worth the price of admission alone!
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