Poultrygeist: Night of the Chicken Dead (Lloyd Kaufman, 2006)
I'm not a big Troma fan. In fact, the last Troma film I remember actually liking was the original The Toxic Avenger. It's gotten to the point where even the Troma name on a movie will cause me to avoid it (even if they're just distributing--I've seen my share of Troma-distributed flicks, and to a one, they're hideous). But the concept behind Poultrygeist was just too plain old stupid for me to pass up, and I have to say, now that I've watched it, I can't remember the last time I was this surprised by a movie. I can't honestly say that I enjoyed it, but it's certainly the funniest movie I've seen this week.
We open with Arbie and Wendy (are you getting the joke yet?), a typical high school couple, making out in the local Indian burial ground, and Wendy promising that going off to college won't change her feelings for Arbie. Yeah, right. Fast-forward a semester, and Arbie has gone back to relive some memories, only to find that the burial ground has been bulldozed to make way for an American Chicken Bunker, a mega-fast-food-mart. It's on the verge of opening, but is under protest by a number of fringe groups, one of which happens to contain Wendy--who, much to Arbie's musical dismay, has become a lesbian and a vegan. To spite her, he decides to get a job at ACB, where he joins co-workers Denny, Paco Bell, Carl Jr. (okay, are you getting the joke now?), and Hummus. Problem is, interpersonal drama is not the only thing going on here, for those Indian spirits aren't too happy about being bulldozed, and have every intention of getting their revenge by possessing everything in sight. From there, the movie becomes a massive gorefest, but in such an over-the-top way that it seems even less like a gore film than, say, Dead Alive does. It's all just stupid fun. (And has a Ron Jeremy cameo!)
The pop culture references come thick and fast in this one, and there's very little that doesn't get skewered here. As well, if you have any aspirations to political correctness at all, you'll probably want to avoid this flick, which takes potshots at every race, creed, color, sexual preference, body type, etc. No matter who you are, there's something in this movie that's liable to offend you. If you like this sort of thing, however, it's great. I've seen more than one review that calls it Troma's best film ever; I'm inclined to agree. ***