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Postman Always Rings Twice [DVD] [Region 1] [US Import] [NTSC]

Price: £8.64
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Region 1 encoding. (requires a North American or multi-region DVD player and NTSC compatible TV. More about DVD formats)
Note: you may purchase only one copy of this product. New Region 1 DVDs are dispatched from the USA or Canada and you may be required to pay import duties and taxes on them (click here for details) Please expect a delivery time of 5-7 days.

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Product details

  • Actors: Lana Turner, John Garfield, Julie Garfield, Ellen Adler, Joseph Bernard
  • Directors: David Heeley, Tay Garnett
  • Writers: David Heeley, Harry Ruskin, James M. Cain, Joan Kramer, Niven Busch
  • Producers: Carey Wilson
  • Format: Colour, Dubbed, DVD-Video, NTSC, Subtitled
  • Language: English, French
  • Subtitles: English, Spanish, French
  • Dubbed: French
  • Region: Region 1 (US and Canada DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Unrated (US MPAA rating. See details.)
  • Studio: Warner Home Video
  • DVD Release Date: 6 Jan 2004
  • Run Time: 113 minutes
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (33 customer reviews)
  • ASIN: B0000EYUCU
  • Amazon Bestsellers Rank: 225,304 in DVD & Blu-ray (See Top 100 in DVD & Blu-ray)

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Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

24 of 26 people found the following review helpful By Henry Ireton VINE VOICE on 27 Mar 2006
Format: DVD
This is a good film not a great film. The direction at points is lazy and the dialogue not as quick and witty as in some of the hollywood greats (Double Indemnity, His Girl Friday) but that is made up for by the enjoyable ride that the director and writers take you on. The sexual tension between Cora and Frank is explicit and even more tense for the reason that it isn't betrayed- the fact that this film was made during the era when Hollywood was restricted in its ability to film sex gives it an interesting tension. A modern version might be tempted to show Cora and Frank having sex. But because this version can't, we are in the position of the characters, we can see a relationship brim with sexuality but we don't see it articulated on screen. Hence our frustration like theirs advances through the picture- until the inevitable resolution. The scenes in court are wonderful- between the two lawyers with the cynicism of the system laid bare- possibly the point where the script rises to heights of humour seen in other films of the period. The culmination of the film rather lets it down with schmaltz but overall this is an excellent good film- it won't make you ponder any great questions that it raises, it won't infatuate you with its world but it will entertain you, amuse you and interest you for the time you view it. Its definitely a film that can become a family friend if not a teacher of great truths.
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24 of 26 people found the following review helpful By Miguel M. Santos VINE VOICE on 5 July 2005
Format: DVD
An unusual product of 1940s MGM, more known then for their musicals and melodramas, this is one of the quintessential film noirs, along with "The Maltese Falcon" and "Double Indemnity". John Garfield is a drifter who ends up in road side dinner and falls for the sexy, seductive wife of the boss (Lana Turner). Together they decide to kill her husband.
Lana Turner, a platinum blonde almost always in a virginal white (only changes to black in three key scenes) is sexier than ever, and has an amazing chemistry with Garfield. Her introduction alone is worth the price of the DVD. The plot is very good and the performances, not only from the leads but also the supporting cast are great.
The print is very good, although not perfect, but one hardly expects that from a 60 year old film. The DVD also includes a documentary on Garfield, the trailer and an introduction to the film.
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4 of 4 people found the following review helpful By Spike Owen TOP 500 REVIEWER on 25 Mar 2011
Format: DVD Verified Purchase
Frank Chambers (John Garfield) stops at a rural diner for a bite to eat, and after noticing the "Man Wanted" sign-ends up working there. The diner is run by beautiful Cora Smith (Lana Turner), and her much older husband, Nick (Cecil Kellaway). The animal attraction is evident from the off and the pair soon enter into an affair. It's an affair that will have far reaching consequences for all three parties.

Forget any remake and go straight to this, the best adaptation of James M. Cain's hard hitting novel. Out of MGM, it's nice to say that the studio, in spite of 1940s censors, let director Tay Garnett put vitality into Cain's novel and more crucially,! let Turner fan the flames of smouldering passion. From the moment the camera pans from her shapely foot to the silky blonde mop that sits above her beautiful face, we know that Frank Chambers, and us the audience, are about to be taken in hook line and sinker.

Much has been made of the over-use of lighting with Turner in the film, that complaint is something I just can't truck with in any shape or form. It's not for nothing that Turner's Cora is virginal white for 98% of the picture, surely a sign that Cora is in need of some dark to lighten her dark existence. Sounds weird I'm sure, but there it is, and the lighting only emphasises that virginal quality about to be steered down a troubled road. It should also be noted that the only time she's out of white is for the particularly dark moments in her life. It's a confliction with the Noir ethic to utilise whiteness, but this is a very different femme fatale, more vulnerable and searching for love, even if ultimately it's car crash love. John Garfield matches Turner in performance. A performance that gathers momentum at every quarter.
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15 of 17 people found the following review helpful By "starlighthotel" on 15 Aug 2005
Format: DVD
Lana Turner and John Garfield hunger for something more in Tay Garnett's glossy soap opera noir, The Postman Always Rings Twice. Based on James M. Cain's lusty potboiler, Turner is fantastic as the manipulative yet vulnerable Cora Smith and Garfield excellent as the drifter who can't get Cora or her dreams out of his blood. Turner is like a white creme, icy cold on the surface but burning hot and deep with desire underneath.
Cora is a girl aware of her looks and effect on men. Since she was 14 she's had to argue with men about it. But she didn't have to argue with Nick Smith (Cecil Kellaway), a much older man Cora marries for security, not love. When drifter Frank Chambers (Grafield) shows up to fill the help wanted sign at the Twin Oaks Diner Nick and Cora run, she discovers she can't live without love or passion.
Cora is a smouldering vision in white when Frank first sees her, a room full of gas that only needs a spark to ignite. Frank knows he can sell anything to anybody and begins to fan the flames when he talks Nick into getting a neon sign for the diner Cora wants. Cora has big dreams for the diner and wants to be somebody. She tries in her own way to resist what is going to happen between she and Frank but deep down knows that all the things she married Nick for and clings to are the things she really wants with Frank.
Cora lets him kiss her once then stays away, working Frank into an internal frenzy of desire. After a midnight swim in the ocean they get a week alone and their fate is sealed, the gas ignited and burning out of control. It is Cora who lets Frank's lust simmer until he loves her and wants her so much nothing matters, not even what stands in the way of them and Cora's dreams.
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