Out of all the Apple reissues released in 1991, Post Card was my firstselection. As a kid, I was fascinated with Mary Hopkin's vocal delivery ofThose Were the Days. Many years later, I found out that one of my auntsshared this particular fondness upon discovering that she had a 45 RPMversion of the song with the B-side that consisted of Mary Hopkin'sarrangement of Turn! Turn! Turn! (To Everything There Is A Season). Bythen, the single was too scratched and too worn to be deemed playable, andto try find a replacement on any tipe of vinyl (LP or another 45)wasvirtually going on a "wild goose chase".
Fortunately, I would obtain these two songs on this CD, along with otherdelightful remakes which include covers of Lullaby of the Leaves, YoungLove, Love Is the Sweetest Thing, and Someone to Watch Over Me, the lastof which is probably my favorite.
In addition to these old favorites, Donovan pitched in two contributionsfor Ms. Hopkin to record, namely Voyage of the Moon and Lord of the ReedyRiver, both of which finely suited her voice. Another asset for Post Cardis Harry Nilsson's The Puppy Song, a lovable track that was almostreleased as a follow-up single to Those Were the Days. Also contained areY Blodyn Gwyn and Prince En Avignon, two tracks not sung in English, thelatter in French and the former in Welsh.
All in all, the instrumentations of echoing strings are quite serene andreminiscent of the Burt Bacharach musical arrangements present in theearly days of A&M Records, which had in its artist lineup Dionne Warwick,Jackie DeShannon, and The Carpenters. If Paul McCartney planned for awholesome image on the Apple label, then his decisions to follow theadvice of Twiggy and hire Ms. Hopkin and then select these songs for herto put forth were most definitely apt.