If you have never purchased a Bjork album, and are not too sure if you will like her or not, "Post" will be an excellent indication as if you do or not. The structure of the songs, are usually quite common, although the uniqueness and originality relies on the album's VERY strange and out-there lyrics (perhaps the craziest of Bjork's career), the way the electronic media is used, and of course Bjork's vocal.
"Army Of Me" opens the album very powerfully. It is one of the most accessible songs of Bjork's career, but this does not mean that it is one of the lesser tracks. It is very industrial and electronic. "Hyper-ballad" follows. I absolutely hated this song at first, but it is now in my top-5-favourite-Bjork-songs list (not that I have one), and continues to grow on me. The intro starts of with a bass synth sound, before acoustic drums are heard, and the wonderful lyric: "We live on a mountain, right at the top, there's a beautiful view" and so on. Classic. Bjork talks about throwing car parts and cutlery of a mountain, and imagining what the sound would be of her falling of a cliff. Genius. Her lyrically creative and best song, which became her second top 10 hit, and was the fourth single (after "It's Oh So Quiet") "The Modern Things" follows and it is another track that I adore. Bjork sings about how all the modern things such as cars and such have always have existed - they just have been hiding inside mountains (and this point you may be beginning to wonder what it is with her and mountains) amongst other bizarre lyrics, and she implies that mechanical things will soon take over the world, if you take the lyrics literally.
The 'classic' "It's Oh So Quiet" follows, and most fans see this song as one of the worst, if not the worst, song Bjork has ever created. It peaked at #4 in the UK, and sold nearly half a million copies there - the single. It was the last song where Bjork used jazz instruments such as saxophones. The song was so popular because it was VERY VERY different without being inaccessible or not radio friendly, the contrast between the verses and the chorus, the great video (her best until Alarm Call), and also the contrasting lyrics. "Enjoy" is another very loud and industrial song about sex to put it quite simply. It is strange and the best non-single. It is dark and reminds me of 'Pulk/Pull Revolving Doors', by Radiohead, although not as repetitive and distorted. "You've Been Flirting Again" is such a good song, and my second favourite non-single. It is absolutely beautiful and I love how Bjork performs it live at most of her concerts. I enjoy its simplicity and unique structure (one of the only songs with a not-so-normal structure.
"Isobel" follows, and was the second single from this album (the first was Army Of Me, which became her first UK top 10 hit. This song peaked at #23 in the UK. This song is definitely not radio-friendly enough to be a successful (i.e. top 10 or so) single. It is a fantastic song although I have to be in the right mood for it. "Possibly Maybe" is a dark, sexy, tranquil song, and probably the most sexy, and one of the most girly songs I have ever heard. It is gorgeous. It was the fifth single in the UK, reaching #13, which is very good for such a strange song. It is minimalistic, and is a cross between say Army Of Me and Hidden Place. "I Miss You" is one of the more accessible songs, and my least favourite from the album. It peaked at #36 in the UK. "Cover Me" it is a short, low-tempo song, not lasting more than a minute, which is followed by the amazing "Headphones", which return to the quality of the first six tracks. It is another song that is quite minimalstic, and it is one of the three longest Bjork songs. To enjoy (pun intended) this song you have to be PATIENT. Many reviews have stated that this song doesn't go anywhere until X etc etc. But it is a great song, and closes this masterpiece wonderfully. The second best Bjork album, afer Vespertine.
9 / 10