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Possession [Audiobook] [Audio Cassette]

A. S. Byatt , Virginia Leishman
3.9 out of 5 stars  See all reviews (68 customer reviews)

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Library Binding £14.94  
Paperback £6.29  
Audio, Cassette, Audiobook £63.54  
Audio, Cassette, Audiobook, July 2002 --  
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Product details

  • Audio Cassette
  • Publisher: HarperAudio; Unabridged edition (July 2002)
  • Language English
  • ISBN-10: 0060527099
  • ISBN-13: 978-0060527099
  • Product Dimensions: 18.1 x 10.7 x 7 cm
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Bestsellers Rank: 1,626,585 in Books (See Top 100 in Books)

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A. S. Byatt
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Product Description

Amazon.co.uk Review

"Literary critics make natural detectives", says Maud Bailey, heroine of a mystery where the clues lurk in university libraries, old letters and dusty journals. Together with Roland Michell, a fellow academic and accidental sleuth, Maud discovers a love affair between the two Victorian writers the pair has dedicated their lives to studying: Randolph Ash, a literary great long assumed to be a devoted and faithful husband, and Christabel La Motte, a lesser- known "fairy poetess" and chaste spinster. At first, Roland and Maud's discovery threatens only to alter the direction of their research, but as they unearth the truth about the long- forgotten romance, their involvement becomes increasingly urgent and personal. Desperately concealing their purpose from competing researchers, they embark on a journey that pulls each of them from solitude and loneliness, challenges the most basic assumptions they hold about themselves, and uncovers their unique entitlement to the secret of Ash and La Motte's passion.

Winner of the 1990 Booker Prize, Possession is a gripping and compulsively readable novel. A.S. Byatt exquisitely renders a setting rich in detail and texture. Her lush imagery weaves together the dual worlds that appear throughout the novel--the worlds of the mind and the senses, of male and female, of darkness and light, of truth and imagination--into an enchanted and unforgettable tale of love and intrigue. --Lisa Whipple --This text refers to the Paperback edition.

Review

" It is a great, shaggy, generous, polysyllabic, triple-decker beast of a book and I haven' t read anything in an age I' ve enjoyed so much. Nor have I sat into the small hours turning the pages of a manuscript in execrable computer print, with such risk to my eyes, already weakened, weakened still further by the Swiss lights because I simply had to get to the end of it. It is the mixture of ideas, cunning, fairy tales, humour - the clever way she interweaves natural history, romance, poems, porches, table tapping and even, I think, Rapunzel; and it is also so funny, in two centuries, at once! I believe it' s the best thing she has done. Christabel and Ash, Roland and Maud come off the page bewitchingly." -- Christopher Hope
" A massive, complex story about a literary mystery which turns into an emotional voyage of discovery... The novel is a triumphant success on every level - as a critique of Victorian poetry, an unbearably moving love story and a satire on the modern ' Biography Industry' ." -- "Cosmopolitan"
" Byatt has contrived a masterly ending to a fine work; intelligent, ingenious and humane, Possession bids fair to be looked back upon as one of the most memorable novels of the 1990s." -- "TLS" --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

Most Helpful Customer Reviews
62 of 65 people found the following review helpful
Format:Paperback
I first acquired a copy of 'Possession' some fifteen years ago, and it remained on the bookshelf unread as a friend whose judgment I trust warned me that it contained reams of poetry and was generally hard work. I am now so glad that I have finally made the effort to read this wonderful book and cannot recommend it highly enough.

Let me deal first with my friend's warnings... Yes, 'Possession' does contain large amounts of poetry. It is probably possible to read, comprehend and enjoy the novel whilst skipping over all or most of the poetry, although I tend to feel that the poems are an indispensable part of the overall magic of the work. At the other extreme, there may be avid poetry readers that devote a lot of time trying to fully interpret the poems. For the record, I took a middle path of reading the poetry without being overly concerned at the references and allusions that escaped me. Although the poems are not masterpieces in themselves, they do give insights into the character of the two poets, and references in the poems are sometimes tied into developments in the main prose narrative. And most of all, they are enjoyable reading - particularly for those of us that rarely make the effort to read poetry nowadays. With regard to the second warning, 'Possession' does make significant though not impossible demands on the reader, particularly in the early stages due to the multiple plotlines and range of new characters. I read the 500-odd pages in just under two days (rescheduling a couple of social activities!) and would recommend such intensive reading for those that can make the time; conversely, I suggest that this is not a book that can be approached as a casual read over a long period of time.

The plotline to 'Possession: A Romance' is fairly straightforward: two academics, Roland Michell and Maud Bailey follow their interests in two Victorian poets, Randolph Henry Ash and Christabel LaMotte respectively, to discover, after much sleuthing and examination of the Victorians' letters and poems, that the two poets were lovers - and in the process allow themselves to fall in love themselves despite their anxieties over doing so in this post-modern world. However, A.S. Byatt's Booker-winning masterpiece is so much more than this précis suggests... The subtitle of 'Possession' is 'a Romance', and the novel commences with a quotation informing the reader that a romance allows a writer 'a certain lassitude, both as to its fashion and material'. A.S. Byatt certainly takes such liberties, leading the reader on all manner of journeys with an infectiously exuberant writing style that meant that I, for one, was willing to be transported anywhere her whim dictated... 'Possession: A Romance' defies simple pigeon-holing into a particular genre: it is a historical novel and a detective novel and a romantic novel rolled into one, with lots of insights into (and digs at the expense of) academia, postmodernism and feminism. To top it off, 'Possession' is a feast for lovers of language, and contains a cast of interesting, credible and fully developed characters. For those willing to devote the required time and effort, I cannot recommend this novel highly enough.

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31 of 33 people found the following review helpful
A flawed masterpiece 14 Oct 2000
By A Customer
Format:Paperback
There are some good novels which are technically perfect but somehow lack the quality that gives real greatness. This novel, I think, is the opposite - a great novel with deep flaws. It is strange, but entirely apt, that it is the Victorian characters, Ash and LaMotte, who come to life vividly and grow to an almost mythic stature whilst the 20C characters never quite convince and finally dwindle into a rather weak campus comedy.

The point is that it's the Victorians this book is about. I know I'm not supposed to get into debates with other reviewers but... More than one has said 'skip the poetry' and even 'skip the letters'. Please give the poetry a go and certainly read the letters. Without these, the letters especially, you won't understand Ash and LaMotte properly. When you do this lifts the book way beyond a literary detective yarn. It does need patience, which is hardly a modern virtue, but the rewards are worth it.

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6 of 6 people found the following review helpful
Turgid 12 Aug 2010
Format:Paperback
This book won the Booker for its vaunting ambition. A.S. Byatt not only created a novel but she also created a considerable number of poems and other works from not one but two fictional subjects of the novel, a 19th century poet, historian and gentleman scientist called Randolph Ash and his sometime mistress, Christabel La Motte. Herein lies the problem. Byatt reproduces these works - some of which span many pages, but while illustrating her cleverness they add little to the plot, and taken at face value are not as striking or as "original" as the works of poets on whom her own protagonists are based. Ash is a kind of amalgam of characters like Tennyson, Coleridge and perhaps Ruskin. Creating these epics might have been necessary to some extent to feed some of the plot details but reproducing them in full is a massive conceit. Everyone buying the book does so to read the plot. The poetry is a plot device, no more. Moreover Byatt's undoubted skills as a writer are continually on show, resulting in that great trap of vanity that many writers fall into, namely that the poetry and writing purporting to come from her protagonists actually all end up reading reading the same. They become reminders that it is still just A.S Byatt. Worse, the supposed translated diary of LaMotte's French cousin also reads in exactly the same formal high english style of the other players, all of whom never let the perfection of their written and spoken english fall for a second. We the readers must never be allowed to forget Byatt's eloquence, even of it means all the characters dancing to exactly the same tune. The character's believability is sacrificed on the bonfire of Byatt's academic vanity.
Of course not everything fails. The modern story is beautifully told, even if the great storm at the end was an unnecessary and melodramatic deux et machina. Also beautifully executed are the unfolding relationships both in the current story and the unfolding historical drama behind it. When freed from the shackles of formality the main characters well rounded, sympathetic, including Ash himself who could have been made into a monster but wasn't, which is another big plus point.
My edition ran to around 500 pages. Stripping out 100 pages of totally superfluous and boring fictional and stilted poetry would gain at least another star in my rating and letting the historic characters breathe in natural language (especially Sabine's translated journal) would gain another. I was not impressed.
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Most Recent Customer Reviews
Too much poetry!!
I heard this book on Radio 4 and thought it would be interesting to read it. Radio 4 had picked out the best bits, there was lots of poetry to read through. Read more
Published 3 months ago by Vanessa Road
Read this book, but not in this edition
This is a wonderful book and I urge you to read it.
However, do not buy this particular edition. Read more
Published 3 months ago by hblnk
Brilliant with the odd flaw
Possession to put it simply is about two modern day academics who investigate a possible previously unknown love story between two well known Victorian poets. Read more
Published 4 months ago by J. Willis
The most incredible and brilliantly written novel
This Booker Prize winning novel is written by a brilliant novelist and moves me beyond words - all hail the genius that is AS Byatt - one of the most wonderful books I have ever... Read more
Published 4 months ago by Ultra Violet
A masterpiece
I've just read this book again while listening to the excellent dramatised adaptation on radio 4. I had forgotten how brilliant it is. Read more
Published 4 months ago by mauntenmeri
A deserving Booker prize winner
This is a masterpiece. The story is one of those where two sets of characters are acting out their relationships in different times. Read more
Published 7 months ago by MovingStuff
An Intellectual Mystery
Possession was Byatt's first 'historical' novel (in fact half-historical, half present-day) and also her first mystery novel. All credit to her, she succeeds well on both counts. Read more
Published 9 months ago by Kate Hopkins
Not an easy read but very rewarding!
Possession is a literary mystery which follows two academics, Roland Michell and Maud Bailey, who are studying the lives of two fictional Victorian poets, Randolph Henry Ash and... Read more
Published 9 months ago by H. Skinner
Absolutely painful...
First, the positives- this is obviously an extremely well-crafted novel, which combines contemporary and Victorian eras with extracts from diaries, letters and substantial poems. Read more
Published 12 months ago by I. R. Cragg
Possession: April Fool?
I bought this book on it's reviews and reputation, naieve enough to believe that so many erudite critics couldn't be wrong. Read more
Published 12 months ago by Neil in Germany
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