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Portraits
 
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Portraits

Graham Collier Audio CD
5.0 out of 5 stars  See all reviews (1 customer review)
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Music

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Biography

Graham Collier, born in Tynemouth, England in 1937, is a highly regarded jazz composer, whose music has been compared to that of Duke Ellington, Charles Mingus and Gil Evans. He was the first British graduate of the Berklee School of Music, and the first recipient of a jazz bursary from the Arts Council of England. His latest book is the jazz composer, moving music off the paper and his latest CD… Read more in Amazon's Graham Collier Store

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Product details

  • Audio CD (1 Oct 1999)
  • Number of Discs: 1
  • Label: Disconforme
  • ASIN: B00004S3JI
  • Other Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Bestsellers Rank: 418,836 in Music (See Top 100 in Music)

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Customer Reviews

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Average Customer Review
5.0 out of 5 stars (1 customer review)
 
 
 
 
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5.0 out of 5 stars INFO., 7 Dec 2011
This review is from: Portraits (Audio CD)
Re-affirms Collier's feeling for Ellingtonian ideas but the whole record is redolent of the unique Collier spirit.
Barry McRae, Jazz Journal International (1974)

`One of my personal favourites in the whole Collier canon' Alyn Shipton.

Featuring
Dick Pearce (flugelhorn)
Pete Hurt (alto sax)
Ed Speight (guitar)
Geoff Castle (piano)
John Webb (drums)
Graham Collier (bass)

Recording History
First issued on LP by Saydisc, 1973
First issued on CD by Disconforme, 2000
Remastered and repackaged by BGO records as part of a 2 CD compilation, 2008
Remastered by Tom Leader of LCL Digital.

The Tracks
And Now for Something Completely Different is a complete composition rather than a suite of separate items. The structure and themes came intuitively rather than by deliberate use of technique, but all the themes can be traced back to the opening motif.
Portraits was written for Dick Pearce on flugelhorn. In the original liner notes I wrote `I've tried to portray how I see him in the written sections as well as to present him with sympathetic situations in which he can improvise'.

Some Reviews
Very successfully captures the way the leader's writing spins loose but logical structures out of sparse modal material, the intelligence with which the soloists build on his written ideas, and the amazing variety of textures he produces from such a small instrumentation.
Miles Kington, The Times, 1974

A more laid-back, yet more challenging listen than any previous Collier outing, but it also dates as one of the best.
Thom Jurek, All Music Guide, 2001

Both lengthy tracks are full of telling attention to detail and development.
Simon Adams, Jazz Journal Inernational, 2001

The original album closes with a piece that is one of my personal favourites in the whole Collier Canon, namely `Portraits' itself.
Alyn Shipton, in the liner notes to the 2008 BGO compilation.
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