Henry James was realistic about women at the end of the 19th century, particularly those standing between the US and Great Britain. Isabel is such a woman. She gets into the world without any parents but with a tremendously good uncle and cousin. She is surrounded with men who love her and want to marry her out of love. She refuses them, three of them, to be able to see the world. And she falls in the hands of a social climber, a social parasite and a fortune hunter who covers up his liaison with the woman who introduced her to him, and whose daughter is the out-of-wedlock child of this very woman. She is of course deeply unhappy, alone, brutalized too, and yet she tries to save the daughter from her fate. She fails because the daughter is totally under the tyrannical authority of her father, an authority that is tyrannical only because the daughter accepts it and submits to it, particularly because of the teachings of some good Catholic nuns. Finally Isabel finds the energy to escape – for a while at least – from that husband when she learns his liaison and she can force him to accept. But she is so pent up in her stubborn decision that she can never step back and consider a real escape. Yet, maybe, at the end, there is a wavering touch of hope – for her. It is incredible how this woman, who wants to be strong-headed and independent, fails to see the men who love her and to recognize the man who uses her. As it is said in the film somewhere, Americans cannot become Europeans, and yet Isabel succeeds very well in becoming twisted and thwarted in Europe. Is that typically European ? Maybe. Nicole Kidman plays the role with style, delicacy, dainty and quaint nuances, but also with a tremendous amount of gusto, sentiment, feeling and emotion. She is probably ten times better than she had ever been, now she can measure herself with actors that are not stereotyped. Her freedom is probably the key to her present depth. Is the film a metaphor of her life ? Maybe. But who cares. What is important is that this Nicole Kidman is able to bring us such a marvellous masterpiece, though some of the « special effects » (strange camera angles and mirror effects) could have been avoided to reach a more intense purity.
Dr Jacques COULARDEAU