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Pork Chop Hill [VHS] [1959]
 
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Pork Chop Hill [VHS] [1959]

Gregory Peck , Harry Guardino , Lewis Milestone    Parental Guidance   VHS Tape
4.0 out of 5 stars  See all reviews (10 customer reviews)
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Product details

  • Actors: Gregory Peck, Harry Guardino, Rip Torn, George Peppard, Carl Benton Reid
  • Directors: Lewis Milestone
  • Writers: James R. Webb, S.L.A. Marshall
  • Producers: Sy Bartlett
  • Format: PAL
  • Language English
  • Classification: PG
  • Studio: Warner Home Video
  • VHS Release Date: 7 Sep 1998
  • Run Time: 97 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (10 customer reviews)
  • ASIN: B00004CJRG
  • Amazon Bestsellers Rank: 13,940 in Video (See Top 100 in Video)

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Customer Reviews

Most Helpful Customer Reviews
42 of 44 people found the following review helpful
By Joseph Haschka HALL OF FAME TOP 500 REVIEWER
Format:VHS Tape
In the spring of 1953, a company of the U.S. Army was ordered to assault an otherwise unprepossessing lump of Korean real estate called Pork Chop Hill. It's only value to either side was as a chess piece in the peace talks at Panmunjon, which were stalled on the question of where to pencil-in the cease-fire line. The Americans had occupied it; the Red Chinese had overwhelmed it; and now Gregory Peck (as Lt. Joe Clemons) is ordered to take his 135-man company and re-take it. PORK CHOP HILL is ostensibly based on the actual battle, and a qualifier at the beginning even states that most of the names haven't been changed.

As the battle unfolded, I began to mentally compare the production with recent, outstanding, "last stand" epics, specifically WE WERE SOLDIERS and BLACK HAWK DOWN - both also based on true events. PORK CHOP HILL comes up short, but not by much. The obvious difference is that PCH - released in 1959 - is filmed in black and white. This mutes the gore, which, in any case, is positively negligible compared to the grisly and graphic realism of today's simulated combat footage. However, the resulting tension felt by the viewer as Joe's unit is surrounded and faced with impending annihilation is only a click less than that felt during the height of the WWS and BHD on-screen fighting. At one point, Clemons orders a bayonet charge, which, as he says, may be the last one ever carried out by the U.S. Army. Well, the last perhaps until Mel Gibson's character, Lt. Col. Harold Moore, orders his Air Cav troopers to do the same to get out of a tight spot in WE WERE SOLDIERS.

PORK CHOP HILL is anti-war to the extent that it condemns the rear echelon desk jockeys tempted to sacrifice American boys on the altar of political expediency, or just from pure incompetence. It also isn't afraid to show the demoralization within Joe's command, and that not every grunt was itching to go over the top and charge the enemy trenches. In a film made well before the Vietnam debacle, such candidness must have been some sort of cinematic milestone for U.S. audiences used to the gung-ho dramas based on the nation's relatively recent World War II victories.

My sole motivation in watching this film was to see Peck. I can't think of any actor today whose on-screen presence exudes such dignified strength and integrity. I'm so convinced of this fact that I've gone ahead and ordered a biography of the man. We are missing the likes of him (and icons Jimmy Stewart, Henry Fonda, and Cary Grant).

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2 of 2 people found the following review helpful
By Victor HALL OF FAME TOP 10 REVIEWER
Format:DVD|Amazon Verified Purchase
Filmed just after the end of the Korean war, this intense and gritty film shows the stupidities of war in all their glory. Gregory Peck puts in a stirring performance as Joe Clemons, leader of a platoon ordered to take Pork Chop Hill.

The hill is heavily defended, impossible to take without heavy casualties and strategically worthless. But it must be taken as it is a vital chip in the great poker game that is the peace negotiations. The film is the story of the assault, showing the realities of war in visceral and disturbing detail. It studies the characters of the soldiers, showing them as real human beings with the same emotions as the rest of us, not just the usual heroic stereotypes usually seen in war movies. The action is relentless. There is almost no musical score, just the constant thump of heavy ordinance and the rattle of small arms fire.

Peck is excellently cast as the commanding officer, trying to rally his men and drive them up the hill in spite of the huge casualties they are suffering. George Peppard, Harry Guardino and Martin Landau are among the excellent supporting cast, and provide us with some distinctive and memorable characters. The only downside is it ges a little over the top at times with the moralising. An excellent film, well worth watching by any fans of gritty and realistic war films in the vein of `Saving Private Ryan'.

This 2004 MGM release is OK. The film has a decent transfer and OK soundtrack. The picture is 4:3 aspect, the sound mono. The only extra is a theatrical trailer. The film is in black and white. Four stars.
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1 of 1 people found the following review helpful
By Olav
Format:DVD
Filmed in 1959 with the cooperation of the US Army and directed by Lewis Milestone (All quiet on the western front), this is the portrayal of an actual battle in Korea. I don't know much about the actual battle, so I shall refrain from commenting on the realism (or lack thereof) of the battle.

The tone of the film is one of weary resignation bordering on despair among the US soldiers. You get the feeling that they are fed up and just want to go home. Despite this, they trudge forward to do their job as infantrymen. The battle sequences are in turn relentless and gripping with good special effects. Another nice touch is that the enemy is given a face and a voice in the form of a propaganda broadcaster whose facade starts to crack.

When watching this film one needs to bear in mind that it should not be taken at face value. Read between the lines. The Pentagon was and is very sensitive in just how the armed branches and the conflicts they participate in are portrayed. To get away with such a clear example of an anti-war message is no small feat.

For me, this film was a nice surprise. See it!
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