Product details
Would you like to update product info or give feedback on images?
|
The early 1930s setting enabled Miyazaki to focus on the old airplanes he loves, and the film boasts complex and extremely effective aerial stunts and dogfights. In the new English dub from Disney, Michael Keaton as Porco delivers lines like "All middle-aged men are pigs" with appropriate cynicism, but his voice may be too familiar for some Miyazaki fans. Susan Egan makes a curiously distant Gina, the thrice-widowed hotel owner bound to Porco by years of friendship; Kimberly Williams is more effective as the irrepressible young engineer Fio. Porco Rosso may be an odd film, but Miyazaki's directorial imagination never flags.-- Charles Solomon
The story is more complicated than some of Miyazaki's previous (or indeed, later) works, with the narrative unfolding around our titular central character, an Italian First World War fighter pilot (literally) cursed with the features of a pig, now living as a freelance bounty hunter chasing "air pirates" in the Adriatic Sea!! The reason why Porco has been cursed is never fully explained, with Miyazaki leaving only the vaguest suggestion of clues and hints before getting on with the more serious story at hand. Here, unlike great films such as Kiki's Delivery Service, Princess Mononoke and Spirited Away, Miyazaki takes a story that is rooted in a recognisable historical period, choosing to focus on the era between the first and second world wars, the rise of Fascism and the great depression (which is here referenced on separate occasions). Added to this, we also have notions of romance (with Porco's relationship with hotel/club owner Gina perhaps offering a sense of redemption), the central adventure story involving Porco and the "air pirates", as well as feuds and rivalries (chiefly between Porco and the chauvinistic American pilot Curtis) and even a father/mentor type relationship to be found between Porco and his young aide Fio.
The film moves along at a great pace, offering moments of jaw-dropping action/animation and some wonderfully rendered character interaction. As with all the films from the Studio Ghibli production house, the animation here is staggering throughout, with Miyazaki demonstrating an intuitive grasp of how to capture, not only the dizzying scenes of action and mid-air acrobatics, but also the dramatic scenes too. The colours are strong and capture the feeling of time and the essence of the place and period, whilst the overall attention to character depth and detail goes great lengths towards cementing the backdrop of the story and also the believability of the characters. Like the most recent Miyazaki/Ghibli production, Howl's Moving Castle, Porco Rosso is a film that will appeal to children, but will also offer deeper themes that can be enjoyed and appreciated by adults and adolescents. The historical and political aspects for example are well handled, offering a further arc to the main story, without getting in the way of the action or the characters.
In this respect, Porco Rosso could very easily be considered a perfect film (for me at least), with several of the plot strands (amongst them the delicate romance between Porco and Gina, which seems positively pregnant with a subtle sense of sadness, as well as the different relationships that Porco has with Fio and Curtis) reaching a real emotional peak, whilst even managing to remain in my thoughts for the best part of a decade!! The film might lack an obvious sense of closure, leaving many aspects of Porco's past-life completely vague, but for me, this simply created a sense of mystique and a reason to see the film again!!! Porco Rosso is a magical film, and alongside works like My Neighbour Totoro, Spirited Away and Howl's Moving Castle, is a masterpiece from the always magnificent Studio Ghibli.
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
|