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As in the equally adroit Enigma, Harris takes a familiar historical event (there, the celebrated code-breakers at Bletchley Park, here the volcanic obliteration of an Italian city in AD79) and seamlessly weaves a characteristically labyrinthine plot in and around the existing facts. But that's not all he does here: few novelists who (unlike Harris) make a speciality of ancient history for their setting pull off the sense of period quite as impressively as the author does here. As the famous catastrophe approaches, we are pleasurably immersed in the sights, sounds and smells of the Ancient World, each detail conjured with jaw-dropping verisimilitude.
Harris's protagonist is the engineer Marcus Attilius, placed in charge of the massive aqueduct that services the teeming masses living in and around the Bay of Naples. Despite the pride he takes in his job, Marcus has pressing concerns: his predecessor in the job has mysteriously vanished, and another task is handed to Marcus by the scholar Pliny: he is to undertake crucial repairs to the aqueduct near Pompeii, the city in the shadow of the restless Mount Vesuvius. And as Marcus faces several problems--all life threatening--an event approaches that will make all his concerns seem petty.
Other writers have placed narratives in the shadow of this most famous of volcanic cataclysms, but Harris triumphantly ensures that his characters' individual dramas are not dwarfed by implacable nature; Marcus is a vividly drawn hero: complex, conflicted and a canny synthesis of modern and ancient mindsets. Some may wish that Harris might return to something closer to our time in his next novel, but few who take this trip into a dangerous past will be able to resist Harris's spellbinding historical saga. --Barry Forshaw --This text refers to an out of print or unavailable edition of this title.
Harris conveys the Shock and Awe of the inhabitants of the Bay of Naples very well in this well researched piece of "faction" as Pompeii and its environs are bombarded by ash,rock and flame in the finale (and yes, there is no surprise twist in the tale -the volcano does go off) and this is one of the plus points of "Pompeii". But what I enjoyed most about the book was the description of and the detail surrounding the Roman aqueducts and in particular the failure of the Aqua Augusta which served the Bay of Naples area and the repair of which constitutes the main storyline of "Pompeii". Ah, the storyline. This is the main weakness of the novel in that it barely exists for three-quarters of it. The main character , the stoic Attilius, is the head aquarius who identifies,investigates and sorts out a water supply problem and this is essentially all that happens plot wise. Well apart from a rather unconvincing love story and a minor civic corruption sub-plot. "Pompeii" is ,in the main,an imaginative re-creation of life 1900 years ago; a detailed ,convincing description of Roman society in its imperial heyday. Harris's research is impressive and fact and fiction are interwoven expertly. But nothing much happens and you already know the ending before you even start the book. I fail to see why so many critics have raved about this book. It is certainly well written and well imagined , but the characters are a little one-dimensional and at times the "factual" overwhelms the "fictional" to the detriment of the novel. Definitely not in the same league as "Fatherland" or "Archangel" which were much more exciting.
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