Concrete poems are different from other poems, as the editor Mr. Janeczko notes at the beginning of "A Poke in the I". In many cases, the poems type font or the way it is laid out on the page determines the poem. Many of the poems take a specific shape in the way they're laid out on the page. For example, a beautiful poem called "Eskimo Pie" is in the shape of that frozen desert, with the words themselves forming the arched top and "stick". Some poems rotate around in spirals or take the shape of animals. Some poems leap around the page and it is the words themselves that show the action of the poem.
While many poems could stand alone by themselves, Mr. Raschka has given them all additional illustrations. His illustration style of broad lines, bright colors and bold patterns in the manner of Eric Carle augments each poem beautifully whether it's about rain softly falling, a danelion blowing in the wind or two people watching a train go by.
It is, of course, singularly difficult to review a book of this type because it's impossible to duplicate the exact layout of these poems which stretch, splish and splash across the pages. To put the poems into single lines stacked on top of one another in word-processor format would be to ruin them and take all the fun out of this splendid work. You therefore have to see them in all their glory on the page with Mr. Raschka's illustrations.
I've used this book a few times in my own classroom to inspire students who are less than enthusiastic about writing poetry. Making concrete poetry (or "form poetry" as I called it in school) offers readers and students a different perspective on what is often considered a mundane form of writing. A lot of fun and highly recommended!