- Hardcover: 342 pages
- Publisher: Richardson (3 Oct 2009)
- Language English
- ISBN-10: 1115961802
- ISBN-13: 978-1115961806
- Product Dimensions: 1.5 x 2.3 x 0.2 cm
- Average Customer Review: 3.7 out of 5 stars See all reviews (3 customer reviews)
- Amazon Bestsellers Rank: 1,772,101 in Books (See Top 100 in Books)
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Product Description
Product Description
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
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First Sentence
IN submitting to the public eye the following collection, I have not only to combat the difficulties that writers of verse generally encounter, but may incur the charge of presumption for obtruding myself on the world, when, without doubt, I might be, at my age, more usefully employed. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
IN submitting to the public eye the following collection, I have not only to combat the difficulties that writers of verse generally encounter, but may incur the charge of presumption for obtruding myself on the world, when, without doubt, I might be, at my age, more usefully employed. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Paperback
I'm also reviewing the edition, and not the author himself: that's a job for the literary critics.
Formally, this edition has many good features: the font size is just right, not too common in cheap editions for 800-page tomes; the notes are very helpful; and succint introductions are supplied.
It doesn't get 5 starts for a minor flaw in the content. A very good surprise was that it contains the whole of Don Juan, arguably Byron's masterpiece. However, I can't disguise my disappointment at not finding two of Byron's most famous short poems, "So we'll go no more a-roving" and the superb "She walks in beauty".
Overall, a fairly good edition. Byron is a must in any library, and this book fills the gap in the Romantic period shelf neatly.
Formally, this edition has many good features: the font size is just right, not too common in cheap editions for 800-page tomes; the notes are very helpful; and succint introductions are supplied.
It doesn't get 5 starts for a minor flaw in the content. A very good surprise was that it contains the whole of Don Juan, arguably Byron's masterpiece. However, I can't disguise my disappointment at not finding two of Byron's most famous short poems, "So we'll go no more a-roving" and the superb "She walks in beauty".
Overall, a fairly good edition. Byron is a must in any library, and this book fills the gap in the Romantic period shelf neatly.
14 of 16 people found the following review helpful
Format:Paperback
This is quite a disappointing version of Byron's works, it does contain "Don Juan", but it only contains extracts from "Childe Harold's Pilgrimage" which is the better book and true source of the Byronic hero, i would suggest a different collection of his works as this does not do him justice, i would suggest Lord Byron: The Major Works (Oxford World's Classics) as a better collection.
5 of 9 people found the following review helpful
Format:Paperback
Byron is, by definition, a puzzle of a poet. He adores baiting and testing the reader with his piquant mixture of gossip, gravitas and grace. The poet is capable of ascending into 'high' poetry, and amusing himself with the crudest of jibes at the expense of his esteemed Romantic peers. 'Don Juan' is the perfect example of this tendency in the poetry, and Byron's melancholic reputation is revealed to be a part of this theatrical poet's act. His technical mastery is difficult to better, and his sense of play allows him to subvert the epic in an almost revolutionary style, provoking even modern critics into a frenzy of disagreement as to his true achievement. Joyce and Dostoevsky are his true inheritors.
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